Archive for the ‘media’ Category

Social Media Exodus: MeWe

Posted: December 19, 2020 by ng36b in media, Uncomfortable Truths
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For anyone that remembers Google Plus, it was actually a fairly slick setup for social media. You could have different circles of people, which made it easy to segregate the sections of your life. Maybe you have some super liberal friends, so you put them in one circle and don’t share your news feed with them. Or maybe your brother is a complete moron and loves to comment about your parenting. In that case, you cut him out of the family picture sharing but don’t mind letting him see your posts about deer hunting.

When Google Plus shut down, most of the members went to MeWe. MeWe brags of inherent security, not selling your information and not censoring. I signed up, not even needing an email (I just used my phone number), and blam, I was in.

And it was really empty.

Like, I didn’t know what to do next.

On of MeWe’s biggest downsides is that it is so privacy conscious that it forgets that it forget that people were willing to give up some privacy to get easily connected with their friends. Facebook loves suggesting friends, groups and everything else based on location, contacts and browsing history. MeWe doesn’t do that, and that’s not a bad thing, but the Mewe walkthrough (seemingly run by a chatbot) doesn’t tell you what to do next.

After a lot of frustration, I figured out how to search for groups. Soon I was on a sous vide group, a chainsaw group, and some news media groups. Now my news feed was full of something. Then I found a few friends and added them. I also created a church group so people could have discussions without feeling like Facebook was hanging in the shadows, ready to classify them as a hate group.

After about 2 weeks of use, I did find some great meme groups, which to be honest, was a large reason that I scan Facebook. I’m also on a non-conspiracy theorist conservative group, which is decently uplifting and better than Facebook discussions ever were. But there are a lot of gaps. I can’t livestream or even call anyone (like you can with Messenger) unless you pay money.

To be frank, I’m not jazzed about MeWe. I think its most compelling feature is having a private group that is truly private, so you can talk openly and not worry about being thrown to the angry pitchfork mob of social justice warriors. But as a Facebook replacement? Not in its current form. It would need a way better introduction for new users and more features that I used in Facebook like livestreaming. Until then, MeWe might make temporary gains, but its not going to be a full Facebook competitor.

This post represents the views of the author and not those of the Department of Defense, Department of the Navy, or any other government agency.

An appreciation of The Divine Comedy band

Posted: December 13, 2020 by John Ruberry in culture, entertainment, media
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By John Ruberry

Listening to music is a serendipitous adventure. And it was on one of those journeys I uncovered another great band that you’ve probably never heard of, The Divine Comedy. Last year before the post was swallowed up by a memory hole at Da Tech Guy, I profiled another undeservedly unknown band, the Rainmakers. Only I first encountered the Rainmakers on a local radio station years ago.

I discovered The Divine Comedy when I downloaded the “Inspired by the Kinks” compilation on Apple iTunes. A great collection, yes, and easily the standout cut for me was “The National Express,” a satirical look at a ride on the eponymous company’s bus line.

Unknown? As this is an American blog with, I believe, a predominately American readership, that’s true. But The Divine Comedy has scored hits in Europe, particularly in Great Britain and Ireland, which is understandable as the band’s only constant member is Neil Hannon, who is from Northern Ireland.

As great as “The National Express” is, there’s just one small issue in my opinion. I’m a huge Kinks fan, but unless you count that British band’s last big hit, “Come Dancing,” it doesn’t sound like any other Kinks tune.

Listen for yourself!

The Divine Comedy’s first album, since cancelled by Hannon, was the R.E.M. inspired Fanfare for the Comic Muse, which was released in 1990. The only place it seems to be available is on YouTube. If you somehow find a copy of it at a rummage sale or used record store, grab it if it’s priced cheap, as it is probably a collector’s item.

The band then “regenerated” three years later into a chamber pop, or if you prefer Britpop band, for Liberation. Actually I prefer the moniker baroque pop. Regardless of the name, what kind of music am I talking about? Think along the lines of “Penny Lane” by the Beatles, “Senses Working Overtime” or “Easter Theatre” by XTC, or “Never My Love” by The Association, the glimmering song that was used with such beautiful yet chilling effect in the final episode of the most recent season of Outlander. Oh, throw in a bit of Cole Porter too. Back to Liberation: My favorite song from that collection is “The Pop Singer’s Fear of the Pollen Count,” which is cleary inspired by the Beach Boys. Yes, I suffer from allergies too so I can commiserate.

Hannon, who writes nearly all of the band’s songs, is a clever lyricist who brings wit and even snarkiness to many of his songs. The Divine Comedy’s melodies are striking and the musicianship is superb.

Here’s a snippet from “Catherine the Great.”

With her military might
She could defeat anyone that she liked
And she looked so bloody good on a horse
They couldn’t wait
For her to invade
Catherine the Great.

Yes, there is a sly reference here to the historical gossip that the Empress of Russia died from a mishap during carnal relations with a stallion.

“The Frog Princess” incorporates strains of “La Marseillaise” into it.

One more Divine Comedy favorite of mine is “Gin Soaked Boy” from the 1999 compilation A Secret History…The Best of the Divine Comedy, which might be good place for you to see if The Divine Comedy is for you. Or you can begin as I did on Apple Music with their “Essentials” and “Next Steps” collections.

Of the band’s dozen studio albums Fin de Siècle, which contains “The National Express,” is my favorite. If you prefer to see what the Divine Comedy is up to now, its latest album is Office Politics. The track I enjoy the most on this collection is “Philip and Steve’s Furniture Removal Company.” It’s about a proposed sitcom and its theme song, both devised by Hannon, in which minimalist classical composers, Philip Glass and Steve Reich, operate a furniture removal business in the 1960s in New York.

Silly? Of course. Brilliant? Definitely.

Oh yes, I said “regenerated” earlier. Regeneration is the title of the Divine Comedy’s 2001 album. Perhaps not coincidentally Hannon contributed a couple of solo tracks, “Song for Ten” and “Love Don’t Roam” to Doctor Who: Original Television Soundtrack from 2006.

In addition to Apple Music works by The Divine Comedy are also available on Amazon.

John Ruberry regularly blogs at Marathon Pundit.

Social Media Exodus: Nextdoor review

Posted: December 12, 2020 by ng36b in media, Uncomfortable Truths
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Nextdoor’s icon. Kind of like a Monopoly piece

After getting tired of the Facebook, and now YouTube, censorship of anything remotely conservative, I decided to plot my social media exodus. If you read anything online, anyone contemplating leaving Facebook is an idiot, but since I don’t trust the media anyway, I wanted to try it myself. Over the next few Saturdays, I’m going to outline alternatives to Facebook, YouTube and Google, give each the pluses and minuses, and give you a guide on how to transition successfully.

My view of Twitter, even before the election

But I won’t help you with Twitter. Twitter has always been hot garbage. You’re on your own there.

The first platform that you should try is Nextdoor. I found this gem on a list of alternative social media sites, and it does not disappoint. Nextdoor connects you with your neighbors. When you register, you put in your address, which then places you in a pre-defined neighborhood. You then get dropped right into a well-designed home page that shows you posts from your neighbors plus nearby neighborhoods.

The first big difference from Facebook is that there isn’t a friends list to maintain. Nextdoor lets you see only the people in your neighborhood. When you go to post something, you can only post in a number of categories: for sale, safety, general, lost and found and recommendations. When you look at the general feed, its not at all like Facebook. There aren’t annoying Vox articles linked by your liberal friends, or anti-vax memes from that crazy mom down the street. Nope, its just local news.

Which is not a bad thing. I found a city council meeting I had missed, so I got updates on nearby construction projects. I also found out our water metering people were hacked by ransomware, which is why they haven’t sent us a bill. I never saw any of that on Facebook, and those things actually affect me a lot more than most of the things I read on Facebook.

For your interest areas, there are local groups, although not nearly as many as Facebook. It didn’t take long to find a conservative group that was working to support local people running for office. I also quickly found a gardening group and pawpaw (the fruit) group. I had to start a group for dads, but there were a million mom groups already. Although it doesn’t have the number of groups of Facebook, the fact that I can make a group with people in the area only is kind of nice.

The other great feature is the “for sale” section. One of the big benefits of Facebook is the Marketplace section, where you can find a ton of items for sale, or sell your items quickly. I’ve made a killing selling firewood through Marketplace, and that was something I didn’t want to lose. Nextdoor has similar functionality. Even better, I’m not wasting my time looking at items that are hundreds of miles away but offer “free shipping.”

Overall, Nextdoor has about 75% of what I want in social media. I get local things that matter to me, local groups that I care about, and can sell to my neighbors. I miss out on out of area relatives and friends, which is why Nextdoor can’t replicate Facebook. To be fair, they don’t claim to do that, and if you live near most of your family, maybe you won’t mind.

I now find myself checking Nextdoor a lot more than Facebook, and certainly enjoying it more. Maybe you will too, I’d recommend giving it a try.

This post represents the views of the author and not those of the Department of Defense, Department of the Navy, or any other government agency.

‘Freedom of the press is guaranteed only to those who own one’

Posted: December 8, 2020 by chrisharper in media

By Christopher Harper

Sixty years ago, famed columnist A. J. Liebling wrote: “Freedom of the press is guaranteed only to those who own one.”

Liebling was describing the powerful media families: Sulzberger, Graham, Scripps, Chandler, and others.

Twenty years ago, it was hoped that the inexpensive transition to ones and zeroes would break the corporate hold on the press.

Instead, the media magnates of old have been pushed aside by the tech giants: Facebook, Google, Twitter, and others.

As a result, freedom of the press is guaranteed only to those who own a portal.

In a critical essay in the Wall Street Journal, journalist Alex Berenson writes: “Information has never been more plentiful or easier to distribute. Yet we are sliding into a new age of censorship and suppression.”

Berenson has been writing about the problems with lockdowns, mask-wearing, and other government policies that he argues are not based on science.

He’s not a conspiracy theorist. He’s a well-known writer who worked for The New York Times. But Amazon has suppressed his self-published articles that questioned the measures used to control COVID-19.

“Google-owned YouTube censors even more aggressively,” Berenson notes. “The company disclosed in October that it had pulled more than 200,000 videos about the epidemic—including one from Scott Atlas, a physician who was advising President Trump. Facebook has not only censored videos and attached warning labels or ‘fact checks’ to news articles but removed groups that oppose lockdowns and other restrictions.”

I can attest that one of my columns here ran afoul of the Facebook “fact-checkers,” and there was no way to remove the “fact check” other than by deleting the entire column.

Here is the way to end the censorship and control of the tech companies over content.

You may have heard that President Trump wants to eliminate what’s known as Section 230 of the Telecommunications Act of 1996. On this subject, Trump and Joe Biden agree.

Originally, Section 230 was designed to help websites moderate online porn. But that’s not what’s happening now.

Section 230 guarantees that websites like Facebook, Twitter, and YouTube cannot be sued in U.S. courts because of what users post. The law states: “No provider or user of an interactive computer service shall be treated as the publisher or speaker of any information provided by another information content provider.” Alternatively, the tech giants cannot be sued for moderating the posts, which they do continually. Without the law’s liability protection, all of these U.S.-based platforms could be subject to massive lawsuits.

With the massive interference and editing of materials posted on the websites, however, Facebook, Twitter, and YouTube have become publishers and should be treated as such. 

But the considerable clout of the tech giants has stalled the elimination of the protection. Liebling should be rolling over in his grave.

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