Posts Tagged ‘music’

By John Ruberry

Father’s Day is next Sunday, June 16. 

And today’s is a good day to get a jump start on great songs about dad. Some of these will be familiar to you, others not, and it’s that last category that will make things interesting, I hope.

Leader of the Band: Dan Fogelberg.

One of two Illinois musicians on my list, the other is Steve Goodman, Dan Fogelberg wrote this song about his father, a musician and band leader.

Hold Me My Daddy: XTC.

Most popular music songs are about relationships. You know, boy meets girl or girl loses boy. XTC, well, not so much. But they recorded some such tunes. XTC’s principal songwriter, Andy Partridge, had a troubled relationship with his mother, but less so with his father. Still, there also was conflict between the male Partridges.  He sings here, “This civil war, why are we in it?” Musically, “Hold Me My Daddy” is also a successful leap out of XTC’s comfort zone, it incorporates an Afro Pop style.

A Boy Named Sue: Johnny Cash.

The Man is Black’s relationship with his father, Ray, was portrayed in a harsh light in the movie Walk the Line. But the truth between the two is murky. For his Live at San Quentin album, Johnny Cash crooned of a dysfunctional father meeting his son in the Shel Silverstein-penned song, “A Boy Named Sue.” 

Dear Dad: Chuck Berry.

Often sons–and daughters–seek out their mothers when they need guidance. But automobiles are a dad thing, which is why Chuck Berry speaks to his father about getting a new car. Released in 1965, “Dear Dad” was Berry’s last charting American single until the immature and silly “My Ding-a-Ling,” a number one hit for the legend, seven years later.

Lullabye (Goodnight, My Angel): Billy Joel.

Because he has a nasty history of car accidents, Billy Joel is not the type of dad to ask for advice on automobiles, unless, of course, it involves filing an insurance claim. “Lullabye (Goodnight, My Angel)” was written for his daughter, Alexa Ray, for his 1993 album, River of Dreams, his last collection of new material in the pop music genre.

My Three Sons: Elvis Costello and the Imposters.

Absentee fathers–because musicians usually travel a lot–are a common topic in dad songs. “My Three Sons” is Elvis Costello’s take on not being there. 

Coal Miner’s Daughter: Loretta Lynn.

The best parents make the most out of a challenging situation. Loretta Lynn tells the story about her dad here. And of course, this song was the title of the Hollywood movie about her storied life.

The Rest of the Dream: John Hiatt:

John Hiatt is yet another one of those artists who hasn’t gotten the support he deserves. “The Rest of the Dream” covers fatherhood, childhood, marriage, and fatherhood again. It’s a multi-generational epic that clocks in under five minutes.

And When I Die: Blood, Sweat & Tears.

Arguably, this is a Mother’s Day song, because “And When I Die” was written by a woman, Laura Nyro. But the best-known version is by Blood, Sweat & Tears. David Clayton-Thomas sings lead here, and the western-movie style instrumentation puts this song on high on my list. Yee-hah! Coincidentally, in 1963, Johnny Cash released an album titled Blood, Sweat, and Tears.

My Old Man: Steve Goodman.

Steve Goodman, best known for his “City of New Orleans,” wrote many other memorable songs. Obviously, “My Old Man” is about his father, a World War II veteran, who died at 58. Sadly, Goodman passed away at a much younger age–he was 36 when cancer claimed him.

Take a peek at these moving lyrics:

I miss my old man tonight
And I wish he was here with me
With his corny jokes and his cheap cigars
He could look you in the eye and sell you a car
That’s not an easy thing to do
But no one ever knew a more charming creature
On this earth than my old man.

Father and Son: Cat Stevens.

Three months ago, here at Da Tech Guy I compiled another musical collection, 13 Great Songs about Getting Old. Cat Stevens, who decades ago changed his name to Yusuf Islam, wrote and sings the only tune that made both of my lists, “Father and Son.” Sometimes the ultimate show of love for a parent is to let a child go.

Cat’s in the Cradle: Harry Chapin.

From Cat Stevens to another Cat. One of music’s all-time great storytellers, Harry Chapin sings about the typical father of the Baby Boom era. A great provider, yes, but many dads then were too busy for their children. Tragically, Chapin never found out if his son would have “grown up just like me,” that is, not having time for him years later. Chapin, like Goodman, died young, at 38, in an automobile accident.

Did I miss a favorite of yours? Probably. Let me know in the comments.

John Ruberry regularly blogs at Marathon Pundit.

I spoke to Peter Mercier a Catholic Musician about his album Catholic Heart at the 2024 Worcester Catholic Men’s Conference at the DCU Center Worcester MA

You can buy the Album at Amazon here

By John Ruberry

You’ve heard it before and probably not from me. No one ever got younger. 

Getting old is natural as youth, but our culture of course is focused on the latter–music especially.

Yet, I’ve managed to discover some great songs about aging. 

13) “A Lady of a Certain Age,” the Divine Comedy. Neil Hannon, who is essentially the one and only member of this baroque pop act from Northern Ireland, is a first-rate storyteller, along the lines of the Kinks’ Ray Davies. We’ll hear from Davies later. As for that lady of a certain age, Hannon, leaves it up to you whether to like her or not.

12) “Something about England,” the Clash. The self-styled “Only Band that Matters” often went too far with their pedantic politicking, and this song, about a young man (Mick Jones) encountering an old homeless man (Joe Strummer), gets off to a bad start with a condemnation of anti-immigrant sentiment, which has nothing to do with the rest of its poignant lyrics.

“You really think it’s all new
You really think about it too,”
The old man scoffed as he spoke to me,
“I’ll tell you a thing or two.”

Jones’ character learns that he has much in common with Strummer’s old man, just as another old man we’ll encounter later. This track is probably the best matchup of the contrasting vocals styles of Jones and Strummer in the Clash’s catalog.

11) “When I’m Sixty-Four,” the Beatles. You’ve certainly heard this one before. Paul McCartney, who sings lead here, sadly didn’t find out if his first wife, Linda, would love him at 64, she passed away from cancer when he was 55. Linda by all accounts still loved Paul until the end.

10) “Glory Days,” Bruce Springsteen. Lost love is a common topic in songs, here’s one about lost youth. “Glory days, yeah, they’ll pass you by, glory days, in the wink of a young girl’s eye,” is part of this song’s chorus.

9) “Minutes to Memory,” John Mellencamp. Two Hoosiers, Mellencamp and a 70-year-old retired steelworker from Gary, are sitting next to each other on a Greyhound bus, probably heading back to Indiana. The elderly man gives Mellencamp advice, which, years later, he finally sees as sagacious.

The old man had a vision but it was hard for me to follow,
“I do things my way and I pay a high price,”
When I think back on the old man and the bus ride
Now that I’m older I can see he was right.

Another hot one out on Highway 11
“This is my life, it’s what I’ve chosen to do
There’s no free rides, no one said it’d be easy,”
The old man told me this, my son, I’m telling it to you.

8) “Old Man,” Neil Young. Another song you are probably familiar with. The opening line says it all, “Old man, look at my life, I’m a lot like you were.”

7) “Where Have All the Good Times Gone,” the Kinks. Astonishingly, the Kinks principal songwriter, Ray Davies was only 21 when this song was released in 1965. The Kinks have a very loyal support base, but this song, similar in sentiment to Springsteen’s “Glory Days,” was a sleeper fan favorite, not becoming a staple of the Kinks’ live set until a decade later. Davies developed the idea for this song by listening older men reminisce and regret in pubs.

6) “Veronica,” Elvis Costello. Paul McCartney, the co-writer of course of “When I’m Sixty-Four,” penned this tune with Costello. While “Veronica” has a bouncy, British Invasion-type melody, in typical Costello fashion, it’s paired with downcast lyrics. “Veronica,” which was Costello’s highest-charting single, was written about his paternal grandmother, Molly McManus, who was suffering from Alzheimer’s disease. While Mellencamp’s steelworker character in “Minutes to Memories” is filled with memories, tragically Veronica’s have faded away.

5) “100 Years,” Five for Fighting. A solo act in all but name, like Neil Hannon’s the Divine Comedy, Five for Fighting is the work of John Ondrasik. “100 Years” takes the listener from the main character’s teen years deep into old age. It’s a lesson about how seemingly short even the longest lives are.

4) “Father and Son,” Cat Stevens. His birthname was Steven Demetre Georgio–now he’s known as Yusuf Islam–but as Cat Stevens, he movingly wrote about a father who says, “I am old, but I’m happy.” But is he? And while this father has wisdom, he still doesn’t understand his son. Sometimes relationships aren’t destined to be blissful ones, however hard we try.

3) “The Lion This Time,” Van Morrison. Unless you know a lot about Van the Man’s storied career, this song doesn’t seem to belong here. So let me provide the background. Rare for a pop tune as it was written in the 6/8 time signature, “The Lion This Time” is a sequel of sorts of sorts to “Listen to the Lion,” an 11-minute long Morrison masterpiece recorded over 30 years prior. “The Lion This Time” is a standout of his Magic Time album, Morrison’s best collection from the 21st century. Van the Man turned 60 a few months after the release of Magic Time. In a contemporary review for Paste, Andy Whitman wrote of both this song and the album, “You expect to encounter a tired legend, a once-mighty king becalmed and tamed by the miles and years. You find instead an echo of a full-throated roar hanging in the air, the telltale signs of a bloody struggle, and an empty cage. The lion in winter is on the loose.”

And the Belfast Lion is still on the prowl. Last autumn he released his 45th studio album.

2) “Martha,” Tom Waits. Closing Time, Tom Waits debut album, didn’t gather much attention–or sales. But the Eagles noticed, and they recorded “Ol’ 55” from that album for their “On the Border” collection. But an even better song is “Martha.” Waits’ character, Tom Frost, calls an old flame, “Martha,” after forty years apart. They married others, but Frost can’t let go.

I guess that our being together
Was never meant to be
And Martha, Martha
I love you, can’t you see?

Not surprisingly, “Martha” is one of Waits’ most covered compositions.

1) “Hello in There,” John Prine. I’ll let Prine, who as a teen delivered newspapers, tell the story behind this gem. “I delivered to a Baptist old people’s home where we’d have to go room-to-room,” Prine said, “and some of the patients would kind of pretend that you were a grandchild or nephew that had come to visit, instead of the guy delivering papers. That always stuck in my head.”

The chorus is haunting yet beautiful.

You know that old trees just grow stronger
And old rivers grow wilder every day
Old people just grow lonesome
Waiting for someone to say, “Hello in there, hello.”

This song is so good it could be used to recruit volunteers for assisted living homes.

Amazingly, all of the lead singers of the songs in this assemblage are still with us, except for Prine, who, after years of poor health, was taken by COVID in 2020.

John Ruberry regularly blogs at Marathon Pundit.

By John Ruberry

A journey, indeed it is. The Kinks are celebrating their 60th anniversary. 

A big part of the revelry is the release, on BMG records of two double-CD or vinyl anthologies, the Journey Part 1, which was released in March, and the Journey Part 2, which was issued last Friday.

And in case you missed it, here is my rundown of my choices for the Kinks best 10 albums, which includes a look back at their momentous career. 

The Kinks emerged from North London and a year later they were at the forefront of the second pack of the British Invasion–or the beat groups, if you are reading this in the UK. Among those early hits were the power chord classics “You Really Got Me,” “All Day and All of the Night,” and “Till the End of the Day.” The Journey Part 1 kicks off with first two, The Journey Part 2 starts with the third one.

Looking at the compilations from the vinyl version, each side is represented by a theme, which I just couldn’t make sense of, so let’s just move on. 

Each cut was selected by the Kinks–the surviving members are Ray Davies, rhythm guitarist and principal songwriter, his younger brother Dave, the band’s lead guitarist and occasional songwriter, and drummer Mick Avory. Among the many hits on the Journey, you’ll also encounter some rare tracks and alternative recordings.

Both are collections are essential collections for rock listeners with eclectic taste, and more importantly, a those with a strong sense of intelligence. 

If you only have a bit of time and you want to know which compilation is best, then go with Part 1. A crucial reason is that amazingly, there are no songs from my choice as the Kinks’ second-best album, Arthur (Or the Decline and Fall of the British Empire)on it. You’ll find “Australia” and “Shangri- La” on Part 1. Of the Kinks often maligned 1970s”theatrical” period, the best of that bunch is Schoolboys in Disgrace. Part 1 has songs from it, Part 2 does not.

The second collection delves surprisingly heavy into the Preservation Part 2 album, which even many Kinks fans dislike. Preservation Part 1 contributes a song to the Journey Part 1. Although through the flaws, I am a fan of both. Critics hated them, although the stage presentation of Preservation was better received by them. Preservation tells a civil war between a womanizing real estate developer-turned politician Mr. Flash (liberals will see him as Donald Trump, conservatives as Bill Clinton), who is challenged by the seemingly morally righteous Commander Black, a Jerry Falwell Senior-type character. 

If you are British, you can think of Preservation as a 20th-century replay of the English Civil War, when King Charles I and his cavaliers battled Oliver Cromwell and his Puritans.  

The Journey Part 2, includes some of the best tracks from Preservation Part 2 including a previously unreleased version of “Money Talks,” along with “He’s Evil,” and “Artificial Man.” Sadly, one of the worst songs from the second Preservation, “Scrapheap City,” which is flatly sung, literally, by Maryanne Price, is also on the Journey Part 2.

What were the Kinks thinking on that one?

While the Journey Part 1 has no live tracks, Part 2 does, three live cuts recorded in 1975 at the New Victoria Theatre in London, “Everybody’s a Star (Starmaker) one of only two good songs from the loathsome Soap Opera album, “Slum Kids,” a solid Preservation outtake, and another song–not one of the goods ones–from Soap Opera, “(A) Face in the Crowd.”

On the flipside, the other good song from Soap Opera, the 1930s-style “Holiday Romance,” follows the live tracks. You can think of “Holiday Romance” as the Kinks’ answer to the Beatles’ “Honey Pie.”

If you’re a Kinks fan–or of you think you might become one–then here’s a song for you, “I’m Not Like Everybody Else,” the B-Side of their hit “Sunny Afternoon.” The first track is on the Journey Part 1. The A-Side is on Part 2

Is “Lola,” perhaps the best-known Kinks song besides their power chord nuggets, included on the Journey? Yes, it’s on Part 2.

One more bit of bad news–the Journey ends abruptly. There is no talk of a Part 3, and there are no songs from the Kinks post-theatrical era on Part 1 and 2. Some of those stellar albums omitted in these collections include Sleepwalker, Low Budget, Misfits, and Give the People What They Want. What’s the heck is with that? Contractual disputes with record labels?

Back to the Journey: Even with one collection being a bit better than the other, both compilations contain plenty of pleasing gems. Back-to-back, they are ideal road trip albums, a great complement to any journey, either cross town, cross country, or as a companion to your life’s journey.

God Save the Kinks!

John Ruberry, who saw the Kinks live twice in Champaign, Illinois in the 1980s, regularly blogs at Marathon Pundit.