Da Techguy's (no longer backup) Blog

By John Ruberry

A journey, indeed it is. The Kinks are celebrating their 60th anniversary. 

A big part of the revelry is the release, on BMG records of two double-CD or vinyl anthologies, the Journey Part 1, which was released in March, and the Journey Part 2, which was issued last Friday.

And in case you missed it, here is my rundown of my choices for the Kinks best 10 albums, which includes a look back at their momentous career. 

The Kinks emerged from North London and a year later they were at the forefront of the second pack of the British Invasion–or the beat groups, if you are reading this in the UK. Among those early hits were the power chord classics “You Really Got Me,” “All Day and All of the Night,” and “Till the End of the Day.” The Journey Part 1 kicks off with first two, The Journey Part 2 starts with the third one.

Looking at the compilations from the vinyl version, each side is represented by a theme, which I just couldn’t make sense of, so let’s just move on. 

Each cut was selected by the Kinks–the surviving members are Ray Davies, rhythm guitarist and principal songwriter, his younger brother Dave, the band’s lead guitarist and occasional songwriter, and drummer Mick Avory. Among the many hits on the Journey, you’ll also encounter some rare tracks and alternative recordings.

Both are collections are essential collections for rock listeners with eclectic taste, and more importantly, a those with a strong sense of intelligence. 

If you only have a bit of time and you want to know which compilation is best, then go with Part 1. A crucial reason is that amazingly, there are no songs from my choice as the Kinks’ second-best album, Arthur (Or the Decline and Fall of the British Empire), on it. You’ll find “Australia” and “Shangri- La” on Part 1. Of the Kinks often maligned 1970s”theatrical” period, the best of that bunch is Schoolboys in Disgrace. Part 1 has songs from it, Part 2 does not.

The second collection delves surprisingly heavy into the Preservation Part 2 album, which even many Kinks fans dislike. Preservation Part 1 contributes a song to the Journey Part 1. Although through the flaws, I am a fan of both. Critics hated them, although the stage presentation of Preservation was better received by them. Preservation tells a civil war between a womanizing real estate developer-turned politician Mr. Flash (liberals will see him as Donald Trump, conservatives as Bill Clinton), who is challenged by the seemingly morally righteous Commander Black, a Jerry Falwell Senior-type character. 

If you are British, you can think of Preservation as a 20th-century replay of the English Civil War, when King Charles I and his cavaliers battled Oliver Cromwell and his Puritans.  

The Journey Part 2, includes some of the best tracks from Preservation Part 2 including a previously unreleased version of “Money Talks,” along with “He’s Evil,” and “Artificial Man.” Sadly, one of the worst songs from the second Preservation, “Scrapheap City,” which is flatly sung, literally, by Maryanne Price, is also on the Journey Part 2.

What were the Kinks thinking on that one?

While the Journey Part 1 has no live tracks, Part 2 does, three live cuts recorded in 1975 at the New Victoria Theatre in London, “Everybody’s a Star (Starmaker) one of only two good songs from the loathsome Soap Opera album, “Slum Kids,” a solid Preservation outtake, and another song–not one of the goods ones–from Soap Opera, “(A) Face in the Crowd.”

On the flipside, the other good song from Soap Opera, the 1930s-style “Holiday Romance,” follows the live tracks. You can think of “Holiday Romance” as the Kinks’ answer to the Beatles’ “Honey Pie.”

If you’re a Kinks fan–or of you think you might become one–then here’s a song for you, “I’m Not Like Everybody Else,” the B-Side of their hit “Sunny Afternoon.” The first track is on the Journey Part 1. The A-Side is on Part 2. 

Is “Lola,” perhaps the best-known Kinks song besides their power chord nuggets, included on the Journey? Yes, it’s on Part 2.

One more bit of bad news–the Journey ends abruptly. There is no talk of a Part 3, and there are no songs from the Kinks post-theatrical era on Part 1 and 2. Some of those stellar albums omitted in these collections include Sleepwalker, Low Budget, Misfits, and Give the People What They Want. What’s the heck is with that? Contractual disputes with record labels?

Back to the Journey: Even with one collection being a bit better than the other, both compilations contain plenty of pleasing gems. Back-to-back, they are ideal road trip albums, a great complement to any journey, either cross town, cross country, or as a companion to your life’s journey.

God Save the Kinks!

John Ruberry, who saw the Kinks live twice in Champaign, Illinois in the 1980s, regularly blogs at Marathon Pundit.