Archive for the ‘culture’ Category

As Van Morrison turns 77, here are his ten best albums

Posted: August 28, 2022 by John Ruberry in culture, entertainment, internet/free speech, media, News/opinion, opinion/news, politics
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By John Ruberry

A few months ago Van Morrison released his 43rd studio album, What’s It Gonna Take? It’s a stupendous work, and most of its songs focus on the COVID-19 lockdown. Van the Man gives well-deserved musical punch in the nose to lockdown zealots Mark Zuckerberg, Bill Gates, and Klaus Schwab. 

This week, on August 31, Van Morrison turns 77. He’s still touring, in fact, he begins a short American tour the day after his birthday, which includes, hello Peter, two gigs in Massachusetts.

In 2020 was a rare year for Morrison as he didn’t release a studio album, but he did issue three anti-lockdown songs, “Born to Be Free,” “As I Walked Out” and “No More Lockdowns.” Eric Clapton, another foe of lockdowns, recorded a Morrison-penned anti-lockdown song, “Stand And Deliver.” Morrison has been the most prominent artist who has stood up to opposition to the 2020-2021 shutdown of musical venues.

Of course Morrison is rich, but most musicians aren’t. Many are just getting by.

My DTG review of “What’s It Gonna Take?” is here. And yes, sometimes I am wrong. I predicted the mainstream media, as it did with the collection’s predecessor, the double album Latest Record Project: Volume 1, would savage it. On the contrary, because the hostile reviews of that collection probably helped sales–it charted well, the media took a different approach this time. By mostly ignoring What’s It Gonna Take? But not entirely. Morrison has “descended into lunacy,” is what one reviewer, Arthur Lazarus, a psychiatry professor, said of the album in his review. I was under the impression that mental health professionals now avoid words like “lunacy.” Who is the “crazy” one here, Lazarus? On a positive note, National Review gave a favorable notice to What’s It Gonna Take?

To a small extent, Van Morrison, a member of the Rock and Roll Hall of Fame, has become a non-person. Oh, he appears in Google News searches, as the media dutifully covers his concert appearances. I follow Morrison on Twitter. And like myself, likely because he shares views that run counter to those of the Twitter leftists, in his case about COVID, he’s almost certainly been shadowbanned. I never see the Belfast Lion’s Tweets on my feed, although he has been quiet there lately. Remember, this is a person whose first hit, “Brown Eyed Girl,” is one of the most-played songs on radio–ever.

I’ve been a Van Morrison fan for decades, so I decided to listen to every studio album of his, remember, there are 43 of them–in succession–about a week after I posted my Da Tech Guy writeup on What’s It Gonna Take? It was a wondrous musical adventure that took me through many musical genres, mainly, especially in the second half of his career, Chicago blues, but also of course rock, as well as jazz, country, Celtic, swing, as well as Van the Man’s stream-of-consciousness works, best exemplified on his Astral Works landmark album.

Morrison is a multi-instrumentalist, playing guitar, harmonica, keyboards, and saxophone. But outside of the craftmanship of the songs he writes, he’s best know for his vocals. Morrison’s singing style is a combination of Hank Williams, Muddy Waters, James Brown, and here’s an obscure name for you, Louis Prima. Oh, on a side note, Prima was one of my mother’s favorites. And about that voice, it’s most distinctive quality is “the growl,” which I believe is inspired by bluesmen like Waters. 

Morrison has influenced many artists, including Bob Seger, Graham Parker, Elvis Costello, and Bruce Springsteen. Of the latter two, on their debut albums the feel of Van is quite apparent.

During my Morrison musical sojourn, during which I ironically contracted COVID-19–I am fully recovered–I decided to write a blog post where I list, well, in my opinion at least, his ten best albums. It’s time for me to be Casey Kasem–so let the countdown begin!

Oh, but first, links in the album’s titles bring you Morrison’s website, where you can purchase or download each collection, and also find the Wikipedia article on each of them. 

10: Hymns To The Silence (1991). Morrison’s first double album is a tad long, but it contains one of his best ballads, “Carrying A Torch.” You’ll find an even better rendition of that song on Morrison’s duet album, where Clare Teal accompanies him. Van the Man on this record takes a song that has been covered countless times, Ray Charles’ hit “I Can’t Stop Loving You,” but he gives it a fresh take by having traditional Irish musicians the Chieftains accompany him. There’s also an intriguing spoken word piece too, “On Hyndford Street.”

9: No Guru, No Method, No Teacher (1986). Morrison’s 1980s efforts were mostly jazz and Celtic-influenced songs, many of them expressing a love of nature, with some stream-of consciousness songs throw in. The best of these is No Guru, No Method, No Teacher. Its highlights include “In The Garden,” “Tir Na Nog,” and an homage to his 1970s pop hits, “Ivory Tower.” It was around this time I saw Morrison in concert–so far the only time I have done so. I was under the impression, based on his ’80s works, that the Belfast Lion had lost the roar of his growl. Wrong. He growled a lot that night and it returned to his later studio albums.

8: Three Chords & the Truth (2019). The title alone makes this effort at least an honorable mention. “Angry Van” of the 2020s didn’t emerge once the COVID lockdowns kicked in. In “Nobody In Charge” Morrison decries, “politicians that waffle endlessly.” A haunting love sing, “Dark Night Of The Soul,” is another highlight. And Van offers a gorgeous re-working of “Auld Lang Syne” on “Days Gone By.”

7: What’s It Gonna Take? (2022). I’ve discussed this work already in this blog post–but to flesh out my love for this album, it’s as fresh as breathing in, mask-free, mountain air in spring. While anti-COVID lockdown songs dominate the collection, including “Dangerous,” which Morrison’s response to comments about him made by Northern Ireland’s health minister, Robin Swann, as well as “Fighting Back Is The New Normal” and “Fodder For The Masses,” the collection ends with another great love ballad, “Pretending.”

6: Veedon Fleece (1974). Stream-of consciousness Van is at the forefront here. Like gourmet cuisine, you may not appreciate Veedon Fleece at first bite, but it’s a hearty musical meal. “Bulbs,” “Linden Arden Stole The Highlights,” and “Streets Of Arklow” are among the great tracks.

5: Saint Dominic’s Preview (1972). Released 50 summers ago, this album contains two of Morrison’s best-known songs, the title track and “Jackie Wilson Said (I’m In Heaven When You Smile).” Van the Man’s greatest “stream” work, “Listen To The Lion,” is an 11-minute long masterpiece.

4: Magic Time (2005). This is the best Van Morrison album you’ve never heard of. There is quite a bit of swing music influence on Magic Time. While Van the Man, as we discussed early, re-worked “Auld Lang Syne” in 2019, he gifts us a New Year’s Eve alternative here with “Celtic New Year.” There’s another preview of “Angry Van” on “Keep Mediocrity At Bay.” Magic Time opens with another great ballad, “Stranded.” And there is a luscious sequel to “Listen To the Lion” in “The Lion This Time.”

3: Into The Music (1979). The Belfast Cowboy–Morrison has a lot of nicknames–ended the 1970s with a bang. It opens with two now-familiar songs, “Bright Side Of The Road” and “Full Force Gale.” There is rock, blues, gospel, and more here. And if Morrison’s “growl” is what you enjoy about him the most, then Into The Music is your album.

2: Moondance (1970). Like many all-time-best albums, Moondance comes across as a greatest hits album. The title track, “Caravan,” “Crazy Love,” and “Into The Mystic” are just four of the great tracks here. And while “Brown Eyed Girl” from Morrison’s first album is one of the most played songs on radio, “Into The Mystic” is a popular song at funerals. And “Crazy Love” is played at many wedding receptions.

1: Astral Weeks (1968). Arguably his first album, as his debut collection, Blowin’ Your Mind, was released without his input, Morrison, with jazz musicians backing him up, recorded a collection that sounded like nothing else up to that point. Is Astral Weeks a rock album? Jazz? Folk? Blues? The answer is none of the above. It’s simply Van Morrison. “The Way Young Lovers Do” foreshadows his 1970s hits, but like Veedon Fleece, stream-of-consciousness dominates here. “Cyprus Avenue” and “Ballerina” are majestic songs. “Madame George” is an enigmatic work, which is one of its enduring qualities.

So, if you are now inclined to explore Van Morrison, you might be wondering “Where do I start?” As I’ve said before, I deplore the term “classic rock,” but if that is your “jones,” then start with Moondance. If your first love is vintage country, then take a look at Pay The Devil. Blues? Get an album that just missed my top ten, Too Long In Exile, where John Lee Hooker teams up Morrison to revisit his “Gloria” hit that he recorded with his band Them in 1964. Are you a punk rocker? Then dig into Morrison’s recordings with Them. If your a jazz aficionado, I recommend Versatile to you. How ’bout Celtic music? Morrison collaborated with The Chieftains on Irish Heartbeat.

Now that I’ve listened to all 43 of Van Morrison’s studio albums I have a plan for what’s next: the Belfast Cowboy’s live albums.

John Ruberry regularly blogs at Marathon Pundit.

Chicago is being devoured by violence, so city looks to removing monuments

Posted: August 21, 2022 by John Ruberry in business, crime, culture, News/opinion, opinion/news, politics
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Father Marquette monument on Chicago’s Southwest Side

By John Ruberry

As I’ve stated many times before in this space, Chicago’s best days are behind it. Seemingly random and numbing violence is everywhere. Yes, shootings and murders are down from 2020 and 2021, but remain much higher than in 2019, the year its embattled mayor, Lori Lightfoot, was sworn into office. 

However, theft, burglary, and automobile theft are dramatically higher compared to 2021–overall crime is up 36 percent. Since two waves of riots in 2020, major retailers such as Macy’s, the Gap, and the Disney Store have closed their massive stores on Chicago’s premier shopping district, North Michigan Avenue, for now at least, known as the Magnificent Mile. 

Boeing is moving its headquarters out of Chicago, as is investment firm Citadel, which is headed by Ken Griffin, a prominent donor to Illinois Republican candidates. Griffin mentioned Chicago crime as a reason for departing for Miami. 

Chicago’s CTA public transportation system includes its sprawling el train lines. Violent assaults and murders have become common on the el. The criminal descendants of Jesse James aren’t attacking trains from the outside, they are paying, well…maybe paying, customers. I suspect most of the creeps are turnstile jumpers.

Click here for my confrontation with a CTA thug, from my most recent, and perhaps last, ride on a Chicago el train.

In 2020, soon after the violent riot outside a Christopher Columbus statue in Grant Park, in the middle of the night Lightfoot had the statue removed for “temporary” storage. She was too much of a coward to do so during daytime, and too much of a financially reckless liberal to care about the expense, as it is likely the workers removing the Columbus statue were being paid doubletime wages. Illinois, the home of Abraham Lincoln and a solid Union state, has no Confederate monuments, but the always-angry left chose an old “favorite,” Christopher Columbus, both a brilliant and flawed man, to vent its rage. 

Two other Columbus statues were also placed into storage around that time. 

Another response by Lightfoot formed the Chicago Monuments Project. One of Chicago’s last remaining honest journalists, John Kass, called it in his Chicago Way podcast, “Mayor Lori Lightfoot’s Woke Committee on Problematic Statuary.“

Since then, a former city of Chicago attorney claimed in a lawsuit that not only did Lightfoot, who is up for reelection early next year, prevent an agreement with a local Italian-American group to return the Columbus statues for public view, but she had this to say, “My d— is bigger than yours and the Italians, I have the biggest d— in Chicago.”

To be fair, in March, Lightfoot said she “fully expects” the Columbus statues to return to their former locations.

On Friday afternoon, in an old-school “news dump,” Lightfoot’s committee revealed its recommendations. It’s hard to believe, but Chicago’s Lincoln statues were on the committee’s hit list. Honest Abe survived, as did the other US presidents on the committee’s woke naughty list. But a whole bunch of others, including the Columbus statues, a Roman column monument to Italian aviator Italo Balbo, a Mussolini cohort, monuments to French explorers Louis Jolliet and Father Jacques Marquette–they were the first recorded Europeans to visit what is now Chicago–and a statue of General Phil Sheridan on horseback at the southern end of Sheridan Road, are recommended for removal. In regards to Marquette and Jolliet, semblances of “white supremacy” is the reason. Some monuments that have been in storage for years will not be returned to public view.

The full report from the “woke committee” can be found here.

Sheridan’s prominent role in the Indian Wars is why he may be toppled from Chicago. Few people know these facts, but Sheridan, one of the North’s ablest generals in the Civil War, had a home in Chicago and “Fightin’ Phil” was present during the Chicago Fire. When the city’s mayor placed Chicago under martial law, Sheridan was in charge. 

Three statues, including ones of George Washington and William McKinley, should have “artistic prioritized interventions,” the committee says. My guess is that signs will be placed next to them, pointing out the honored ones flaws. Who among us is flawless? Liberals can’t imagine the non-enlightened ones thinking for themselves, or using their smartphones to Google “President McKinley.” And yes, slavery is the worst scourge in American history, but how many Americans don’t know Washington owned slaves?

For now, Abraham Lincoln’s statues will be spared these “artistic prioritized interventions,” but the committee warns, “such measures may be employed in the future through ongoing program investments.” Illinois, of course, is known as “the Land of Lincoln.”

Lightfoot’s monument committee is recommending new monuments, mostly “red meat” ones appealing to the left, although I support a statue of Chicago’s gospel legend, Mahalia Jackson. But why not one for Muddy Waters too?

What about a Ronald Reagan statue? The Gipper was the first president to live in Chicago and the only one born in Illinois.

There is no monument recommended for Lightfoot, “Triple Threat” is not only an African-American, but she is Chicago’s second female mayor and its first lesbian one. 

If a Lightfoot statue is ever erected, I’m sure I won’t be the only one focusing on her crotch. 

John Ruberry regularly blogs at Marathon Pundit.

Louise Perry or My Very Catholic Mother (Born 1924)

Posted: August 21, 2022 by datechguy in culture, Uncategorized
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If she’s good enough to sleep with she’s good enough to marry.

Dominic James Ingemi (1921-1987)

I’ve been saying for many years that the Sexual Revolution is over and men won and the time has come when some young women are figuring it out too.

I’ve also been saying for years that the primary cause of this insanity has been the 60’s generation, unlike every generation before them never growing out of the idea that they were smarter than their parents and thus rejecting literally millennia of trial and error in how to raise kids and maintain a society.

Feminist Bari Weiss (born 1984) is a product of that generation and would have reflexively rejected the advice my very Catholic father (born 1921) and my even more Catholic mother (born 1924) would have given on how woman should carry themselves as being patriarchal tripe from a repressed society (ironically while at the same time referring to them as part of the “Greatest Generation” which is a device used to excuse all generations that follow from reaching their levels of success) however she was so impressed by 30 Year old Louise Perry arguments on the subject that she gave her space on her site to repeat them:

I’m not a religious conservative. I’m a feminist, and I’ve spent my entire professional life working on the issue of male violence against women—first in a rape crisis center, and later as a journalist and a media relations director for a legal campaign against sexual violence.

Ah reality, what lessons it teaches

It’s precisely because I’m a feminist that I’ve changed my mind on sexual liberalism. It’s an ideology premised on the false belief that the physical and psychological differences between men and women are trivial, and that any restrictions placed on sexual behavior must therefore have been motivated by malice, stupidity or ignorance. 

In the piece Ms Perry goes on to give advice to young women, advice which sounds rather familiar to my nearly 60 year old ears. Here is a smattering of it:

  • Distrust any person or ideology that pressures you to ignore your moral intuition.
  • Chivalry is actually a good thing. We all have to control our sexual desires, and men particularly so, given their greater physical strength and average higher sex drives.
  • Sometimes (though not always) you can readily spot sexually aggressive men. There are a handful of personality traits that are common to them: impulsivity, promiscuity, hyper-masculinity and disagreeableness. These traits in combination should put you on your guard.
  • A man who is aroused by violence is a man to steer well clear of, whether or not he uses the vocabulary of BDSM to excuse his behavior. If he can maintain an erection while beating a woman, he isn’t safe to be alone with.
  • The category of people most likely to become victims of these men are young women between the ages of 13 and 25. All girls and women, but particularly those in this age category, should avoid being alone with men they don’t know or men who give them the creeps. Gut instinct is not to be ignored: It’s usually triggered by a red flag that’s well worth noticing.
  • Monogamous marriage is by far the most stable and reliable foundation on which to build a family.

Any of those things could have come right from the lips of either of my parents and she throws in a few more that Mom would have had mom nodding her head in agreement with a caveat or two.

  • Get drunk or high in private and with female friends, rather than in public or in mixed company. (mom would have suggested avoiding getting drunk or high period)
  • Holding off on having sex with a new boyfriend for at least a few months is a good way of discovering whether or not he’s serious about you or just looking for a hook-up. (They would agree but suggest holding off sex period)
  • Only have sex with a man if you think he would make a good father to your children—not because you necessarily intend to have children with him, but because this is a good rule of thumb in deciding whether he’s worthy of your trust. (that’s basically my dad’s advice to me with the sexes reversed Mom would have said wait till you’re married, but should would tolerate, with overt disapproval waiting till a wedding date was set.)

This next paragraph produced a wide grin from me:

None of this advice is groundbreaking. It’s all informed by peer-reviewed research, but it shouldn’t have to be, since this is what pretty much most mothers would tell their daughters, if only they were willing to listen.

The source of said grin is that all of this had already been known thanks to many centuries of experience and reality informed by trial and error, the best type of peer reviewed research there is which was handed to the 60’s generation on a silver platter and tossed away.

Nor did we have to go back to folks born in the 1920’s to hear said advice. Stacy McCain who has been writing and blogging on this subject for a decade is only a couple of years older than me but if Ms. Weiss had read these words from Stacy written in 2015

Pardon the deliberately provocative clickbait headline, but the campus “rape culture” discourse keeps avoiding this issue. There is an obvious connection between (a) claims that sexual assault is an “epidemic” among college and university students; (b) the phenomenon of binge drinking among students, most of whom are below the legal drinking age; and (c) the adamant insistence of feminists that it is “slut-shaming” and “victim blaming” to suggest how (a) and (b) are most likely related.

She would have immediately rejected him as a misogynist and cheered as Twitter banned him for daring to quote feminists in their own words online, yet when the 30 year old Ms. Perry suggests that a woman should not get drunk or high in public or in mixed company it’s a revelation worthy of her site. That of course is the cynic in me for in the 18th Century Ben Franklin wrote

Experience keeps a dear School, but Fools will learn in no other, 

Poor Richard’s Almanack 1743

and the belated relearning of these lessons proves his timeless wisdom once again. There is however more to life than cynicism. The Catholic Church teaches about redemption to understand the the joy and value in it

In the end the fact that Ms. Perry has managed to relearn the lessons her parents and grandparents rejected from history is a commendable thing and the fact that Ms. Weiss is able to see the wisdom of these lessons from her and pass them along to others who need them is even better, something to be celebrated because it’s by relearning these lessons and applying them that we can avoid the costs that three generations have and are paying for the insanity that is modern feminism.

Or as Jesus Christ himself said when the disciples told him that others outside their company where driving out demons in his name:

For whoever is not against us is for us.

Mark 9:40

Review: Season 2 of Capitani

Posted: July 17, 2022 by John Ruberry in culture, entertainment
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By John Ruberry

Earlier this month the second season of the Luxembourgish crime drama Capitani began streaming on Netflix. 

In the first season, set in 2019, the titular character, gruff and laconic police detective Luc Capitani (Luc Schiltz) arrives in the fictional small northern Luxembourg of town of Manscheid to investigate the murder of an identical twin teen girl. Similar to British crime series Broadchurch, Luc Capitani is confronted by clannish locals who are harboring secrets. Capitani meets an old flame in Manscheid, Carla Pereira (Brigitte Urhausen)–her presence might have been the real reason for his visit to the village.

The following paragraphs contain a Season One spoiler. 

At the end of Episode 12, after solving the case of the murdered twin, Capitani is arrested for the murder of a drug lord that happened years earlier, a crime in which Pereira is entangled in. At the start of Season Two, after serving eighteen months in prison, he is released due to lack of evidence.

Capitani is now working as a private detective in Luxembourg City. A sex worker, Bianca Petrova (Lydia Indjova), calls him to look into the disappearance of another prostitute. Capitani quicky finds her body in a park. It turns out the sex worker hired Capitani at the request of the owner of what is called here a cabaret, but in reality it is a strip club and a brothel. That proprietor is Valentina Draga (Edita Malovcic). After the murder of another prostitute, the owner of a competing cabaret, Gibbes Koenig (André Jung), reaches out to Draga. Each of them has an ambitious son, respectively Dominik Draga (Adrien Papritz) and Arthur Koenig (Tommy Schlesser), who are seeking to expand their operations.

And business is poor. This is the first television series that I have viewed that has incorporated the COVID-19 pandemic into its plot. The lockdowns have been devastating to the cabarets and those two sons look to narcotics to make up the difference. Drugs in Luxembourg City are sold openly on the streets by Nigerian immigrants–much in the manner that I’ve witnessed on the West Side of Chicago–while under surveillance of two cops, Elsa Ley (Sophie Mousel), who was Capitani’s unofficial partner in Manscheid, and Toni Scholtes (Philippe Thelen). One of those drug dealers, Lucky Onu (Edson Anibal), is in Luxembourg not to peddle narcotics, but to find his sister, Grace (Jennifer Heylen), another sex worker.

Similar to Clint Eastwood’s character in A Fistful Of Dollars, a work that was based on the Akiro Kurosawa film Yojimbo, Capitani works both sides of the brothel competition. And he hasn’t completely broken ties with the Luxembourg Police. There’s a third angle being played, Capitani is regularly speaking with a senior police official, Pascale Cojocaru (Larisa Faber).

If you enjoy Nordic noir movies and television shows–as I do–you’ll like Capitani. There is no Netflix wokism here, the performances are captivating, and the cinematography succeeds by capturing views of beauty and squalor in Luxembourg City. And the plot keeps you guessing enough to make things interesting. Both seasons have twelve episodes, with each entry lasting around 30 minutes.

Both seasons of Capitani are currently streaming on Netflix. It is rated TV-MA for nudity, violence, drug use, obscene language, and sex. You can watch in the original Luxembourgish with subtitles, although there is much English dialogue here, or in dubbed English.

John Ruberry regularly blogs at Marathon Pundit.

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