Archive for the ‘entertainment’ Category

A Few Photos and Videos from the Tender Bar Shoot in my neighborhood earlier this month with Ben Affleck and George Clooney

Posted: April 24, 2021 by datechguy in culture, entertainment, local, oddities, special events, trade
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There are the people in my neighborhood

One of the interesting things about having part of a movie shot in your neighborhood is the number of people who turn up, both your neighbors who you end up talking to and people from around the area. While I went outside a couple of times my wife spent most of the day outside getting up very early and taking photos and videos with the camera I usually use for interviews (which have been few and far between due to work and COVID although I had a pair of Catholic ones this week, more on that tomorrow). She pretty much shot a bunch of one minute clips and a fair amount of photos till she came home tired around 2 and crashed. The biggest take away I got from them was that despite the better pay a lot of acting, at least in movies which aren’t on the same deadline as a weekly TV show, is that like any other job there is a fair amount of tedious repetition.

Because she took so many shots I’m only uploading a few plus three videos. Be aware that the date on the Camera was set wrong. While the shoot had been scheduled for the 7th it was actually done on the 8th.

There are plenty more but I think this gives the gist of what is going on with the police controlling the crowd and traffic and the guys in charge letting people know when to be quiet etc.

I figured the Diner would have done pretty well with these folks but alas for Ed because there were three different days when the shooting might have taken place his regulars stayed away those days and he only got a quick burst of business when they called lunch the day of the shooting which didn’t make up for it.

Anyways here are the three videos here is one with a shot of their car pulling out

My wife shot a lot of those, didn’t upload the others since they were pretty much the same. DaWife says they did it about five times. Each time they pull out, when Clooney calls cut Affleck backs up and they get ready to do it again.

Here is another shot of Clooney joking with the kid and Affleck before another shot. This would be just visible from my front yard.

And finally here is a 3rd shot of him directing the kid before another shot and then the shot itself. The antique cars were parked in the neighborhood for about a week before the shoot but then again I’m old enough that to me they don’t seem like antiques they’re just the cars I remember from the 70’s. In fact my 1st two cars were a 67 Barracuda and a 75 Buick LeSabre both convertables.

My chief interest in all of these is how the work is actually done as I’m not experienced in it. Granted it’s not work in the sense that my dad worked or that I or my sons or my wife do but it’s work and it takes them away from their homes for long periods of time. Granted it would have been cool to get Clooney to sign the season 1 of ER that I bought my wife 20+ years ago and my son had hoped to get a Batman comic signed by both as they each (Clooney meh, Affleck actually very good) played the role but there was none of that.

And frankly in an age of cancel culture where people are looking to bring down folks for saying or doing the wrong thing the last thing you really want to do is mix with a bunch of strangers with cameras any one of whom might hold a grudge and be looking to get their 15 min of fame by giving you grief. That realization precludes Jimmy Stewart’s old advice to Raquel Welch about fans and autographs these days and must be a pain in the neck, particularly if someone happens to be affable by nature who previously enjoyed meeting the fans.

At least the pay is good.

As I said there are a lot more pictures and a lot more video but they seem too repetitive to upload to youtube and given how close to the vest things have been around here I can’t justify the extra bandwidth charges to put them all up. Feel free to hit DaTipJar to offset those costs.

Satire: Mafia Families and the Priests that Serve them deride Vatican’s Continued Stance against Murder, Theft & Prostitution

Posted: March 24, 2021 by datechguy in catholic, Church doctrine, comedy, culture, entertainment, fun
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Members of the Cosa Nostra were united in their disappointment that the Vatican has not changed their stance concerning the sinfulness of murder, theft and prostitution.

“It’s a real cultural problem.” said a spokesman for the Bocce crime family. “Don Giuseppe was saying just the other day that the church’s stance unfairly stigmatizes people whose culture, tradition and inclination. has steered them in this direction for centuries.”

“It’s a terrible disappointment.” said Fr. Mel A Stophilies of Angel of Light Parish and the unofficial chaplain to the Polenta family. “Why just the other day Dona Polenta was talking about how Pope Francis’ attacks on the mafia had affected her 14 year old grandson who has dreamed of entering the family business since he was five and has just started his career as a runner: ‘Does the Vatican understand what his can do to a 14 year old just staring in the rackets? It can destroy him'”

At the business of Dino and Luigi Vercotti they echoed this statement noting that on the local level their priest have been more supportive.

“At our parish they have been much more caring toward the women in our business just trying to make a living.” Said Dino Vercotti in between answering calls for appointments, “In fact our parish priest Fr. Heretic has been using a more compassionate translation of scripture where Jesus tells the woman caught in adultery in John 9:11: ‘Neither do I condemn you. Go, and from now that’s not sin any more.’ It’s really made both our girls and their customers feel better about themselves.”

In Philadelphia some locals still expressed hope that the Vatican will see the light on these things.

“If the church is going to be part of the world and not hated they need to change with the times and recognize that the acceptance of things like adultery, theft and the occasional murder (as long as it doesn’t cross the wrong racial lines) is where society is.” said Fr. Morty Sine “After all if they took those lessons to heart have spent hours filling in and delivering ballots in the wee hours after election day? If they hadn’t done that Rome would not have been able to celebrate the election of only the 2nd Catholic president of the United States.”

“After all one man’s sin is another’s way of life.” said Fr Terr. I know our parish has greatly benefited from the support we have given the local families and I’m sure eventually the Church will see the advantages of such an arrangement.

An appreciation of The Divine Comedy band

Posted: December 13, 2020 by John Ruberry in culture, entertainment, media
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By John Ruberry

Listening to music is a serendipitous adventure. And it was on one of those journeys I uncovered another great band that you’ve probably never heard of, The Divine Comedy. Last year before the post was swallowed up by a memory hole at Da Tech Guy, I profiled another undeservedly unknown band, the Rainmakers. Only I first encountered the Rainmakers on a local radio station years ago.

I discovered The Divine Comedy when I downloaded the “Inspired by the Kinks” compilation on Apple iTunes. A great collection, yes, and easily the standout cut for me was “The National Express,” a satirical look at a ride on the eponymous company’s bus line.

Unknown? As this is an American blog with, I believe, a predominately American readership, that’s true. But The Divine Comedy has scored hits in Europe, particularly in Great Britain and Ireland, which is understandable as the band’s only constant member is Neil Hannon, who is from Northern Ireland.

As great as “The National Express” is, there’s just one small issue in my opinion. I’m a huge Kinks fan, but unless you count that British band’s last big hit, “Come Dancing,” it doesn’t sound like any other Kinks tune.

Listen for yourself!

The Divine Comedy’s first album, since cancelled by Hannon, was the R.E.M. inspired Fanfare for the Comic Muse, which was released in 1990. The only place it seems to be available is on YouTube. If you somehow find a copy of it at a rummage sale or used record store, grab it if it’s priced cheap, as it is probably a collector’s item.

The band then “regenerated” three years later into a chamber pop, or if you prefer Britpop band, for Liberation. Actually I prefer the moniker baroque pop. Regardless of the name, what kind of music am I talking about? Think along the lines of “Penny Lane” by the Beatles, “Senses Working Overtime” or “Easter Theatre” by XTC, or “Never My Love” by The Association, the glimmering song that was used with such beautiful yet chilling effect in the final episode of the most recent season of Outlander. Oh, throw in a bit of Cole Porter too. Back to Liberation: My favorite song from that collection is “The Pop Singer’s Fear of the Pollen Count,” which is cleary inspired by the Beach Boys. Yes, I suffer from allergies too so I can commiserate.

Hannon, who writes nearly all of the band’s songs, is a clever lyricist who brings wit and even snarkiness to many of his songs. The Divine Comedy’s melodies are striking and the musicianship is superb.

Here’s a snippet from “Catherine the Great.”

With her military might
She could defeat anyone that she liked
And she looked so bloody good on a horse
They couldn’t wait
For her to invade
Catherine the Great.

Yes, there is a sly reference here to the historical gossip that the Empress of Russia died from a mishap during carnal relations with a stallion.

“The Frog Princess” incorporates strains of “La Marseillaise” into it.

One more Divine Comedy favorite of mine is “Gin Soaked Boy” from the 1999 compilation A Secret History…The Best of the Divine Comedy, which might be good place for you to see if The Divine Comedy is for you. Or you can begin as I did on Apple Music with their “Essentials” and “Next Steps” collections.

Of the band’s dozen studio albums Fin de Siècle, which contains “The National Express,” is my favorite. If you prefer to see what the Divine Comedy is up to now, its latest album is Office Politics. The track I enjoy the most on this collection is “Philip and Steve’s Furniture Removal Company.” It’s about a proposed sitcom and its theme song, both devised by Hannon, in which minimalist classical composers, Philip Glass and Steve Reich, operate a furniture removal business in the 1960s in New York.

Silly? Of course. Brilliant? Definitely.

Oh yes, I said “regenerated” earlier. Regeneration is the title of the Divine Comedy’s 2001 album. Perhaps not coincidentally Hannon contributed a couple of solo tracks, “Song for Ten” and “Love Don’t Roam” to Doctor Who: Original Television Soundtrack from 2006.

In addition to Apple Music works by The Divine Comedy are also available on Amazon.

John Ruberry regularly blogs at Marathon Pundit.

Review: The Liberator on Netflix

Posted: November 22, 2020 by John Ruberry in entertainment, media
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By John Ruberry

By John Ruberry

Lost among the fallout after the presidential election was the debut of a compelling four-episode on Netflix, The Liberator. It tells of exploits of the leadership of Felix Sparks (Bradley James), who eventually reached the rank of lieutenant colonel, of the 3rd Battalion of the 157th Infantry Regiment in the European theater of World War II. Yes, for the most part, this is a true story.

The series which began streaming on Veterans Day, is animated and it uses the new technique of Trioscope, which combines live action and computer and manually created images. The series is based on Alex Kershaw’s book The Liberator: One World War II Soldier’s 500-Day Odyssey from the Beaches of Sicily to the Gates of Dachau. It’s a huge improvement over rotoscoping, most famously, or notoriously used in the first feature film version of J.R.R. Tolkien’s The Lord Of The Rings, which was directed by Ralph Bakshi. The animation is grainy with a touch of sepia, the latter hue of course is common in films set in first half of the 20th century.

For the most part, The Liberator avoids hackneyed plotlines and characters of many World War II projects, other then sepia. There is no “Guy From Brooklyn” in it. But here is a soldier from Chicago, who of course is a Cubs fan. Fact: real and fictional characters from in television and movies are never White Sox fans, unless, as in Field Of Dreams, the South Siders are central to the plot. Oh well, to be fair it was the Cubs, not the White Sox, who played in the World Series in 1945.

When Lieutenant Sparks arrives at Fort Sill in Oklahoma shortly before America’s entry into World War II, he’s given command of “Company J,” which consists of soldiers locked up in the stockade. These ragtag men are a mix of Mexican Americans, Native Americans, and cowboys. 

It’s a tough command, “The Indians and the Mexicans don’t like each other very much,” a jail guard tells Sparks. “And they hate us more.”

But Sparks is looking for fighters, not divisiveness. He and molds them–even though the Native Americans and Mexicans can’t enter a bar off base in Oklahoma. In Italy a captured member of the Thunderbirds is confronted with this irony by a German officer. 

During its two years in Europe, in addition to the invasion of Sicily and the liberation of Dachau, but also the invasion of southern France, as well as the Battle of the Vosges near the German border, and finally fighting in Bavaria, the 157th Infantry Regiment encountered over 500 days of combat. Sure there are arguments and spats among the soldiers. People never always get along. But the soldiers form an effective fighting unit. 

The German troops are treated relatively sympathetically in The Liberator, but only up to a point as the Thunderbirds later of course liberate Dachau.

The supporting cast is superb, particulary the performance of Martin Sensmeier as Sergeant Samuel Coldfoot and Jose Miguel Vasquez as Corporal Able Gomez, two composite characters.

Originally The Liberator was intended as a live action miniseries for A&E Studios for the History Channel but filming such a project in so many disparate locales, the plains of Oklahoma, Italy, the Mediterranean coast, the Vosges, and Bavaria, proved financially impossible. Not so much with animation. Which is why The Liberator is probably on the cusp of what we’ll see soon on the big and small screens. And the use of animation in war dramas will spare us motion picture embarrasments such as the desert combat scenes in the 1965 box office flop The Battle Of The Bulge.

The Liberator is currently streaming on Netflix. It is rated TV-MA, although despite depictions of battlefield wounds and the frequent use of profanity–in English and Spanish no less–I’m unsure why. Oh, some people smoke cigarettes in it too. I’m mean c’mon. This is the 1940s!

Tune in and start watching. You’ll be glad for it. 

John Ruberry regularly blogs at Marathon Pundit.

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