Archive for the ‘media’ Category

So let me get this straight:

The NYT & the MSM don’t have a problem with Doxing (that is giving out the home address of) Tucker Carlson.

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The Democrats Mayors are united in demanding the President Trump not send in or remove the Department of Homeland Security in cities where they’ve been deployed protect federal property (like Portland Oregon) as they cede control of their cities to the mob:

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BUT we are told by these same people that when strangers call their house to ask them who they are going to vote for, any suggestion that a large cross section of GOP voters in general and Donald Trump supporters in Particular are not being forthcoming is nonsense.

Seriously?

By John Ruberry

Up until a few weeks ago the country trio Lady Antebellum barely registered on my radar. While I do enjoy country music my interest is mostly focused on the Americana genre. As for the country music you hear on most FM radio stations, most of it is formulaic garbage, mediocre pop tunes delivered with a drawl. And that is the type of drivel Lady Antebellum delivers. And it’s not just me who feels that way. In 2010–that year will come back soon in this story–a sub-headline on Slate named Lady Antebellum “the world’s dullest band.”

But their name caught my attention. Even before wokeness became a political movement I thought “Lady Antebellum” was an odd choice of a moniker, as it refers to what some Lost Cause of the Confederacy propagandists viewed as the good old days of the pre-Civil War South. On those infrequent occasions when word came up, until very recently, it referred to plantation manor homes, which of course were staffed by slaves and were financed by agricultural goods produced by slaves. Those good old says weren’t good at all.

According to the band they decided on Lady Antebellum after a photo shoot at one of those mansions.

But after the killing of George Floyd and the protests, some of them of violent, Lady Antebellum announced they were now Lady A.

But as you probably heard there is already a Lady A, Seattle blues artist Anita White, who has been using the name for decades. But she isn’t a superstar or even a star. When White spoke up–that should have been the coda of the new name for the artists-formerly-known-as-Lady Antebellum. Their wokeness compelled the name change. They are white and Anita White is black. Their wokeness should have compelled them to brainstorm for yet another name. Now the former Lady Antebellum is suing White to prevent her performing as Lady A.

There was briefly an informal co-existence agreement between the two Lady As after the group’s name change. But that’s not working out. If you type “Lady A” into the search box on iTunes and Spotify, it’s the new Lady A who appears, not the blue singer. The same result comes at at YouTube.

White now wants $10 million from the Lady A trio–with half going to Black Lives Matter and some charities. The ex-Lady Antebellum calls that demand “exorbitant.” The band has possessed the trademark for “Lady A” since 2010. While I’m not going to pretend, as a non-lawyer, to completely understand the legal side of this dispute, the law appears to favor the band.

Even if the law didn’t, the band has significant financial resources that White doesn’t. For her part, she told Entertainment Weekly that she offered a compromise, “I had suggested on the Zoom call [between the band and her] that they go by the Band Lady A, or Lady A the Band, and I could be Lady A the Artist, but they didn’t want to do that.”

There are a number of lessons in this story that exemplify why our society is so messed up.

There has not been heavy coverage of this suit outside of the entertainment media and Seattle news sources despite the race angle. Conservative websites have been reporting on this story. Now imagine if Lady A the Band were conservative Republicans. This battle would be the lead story on CNN and MSNBC. There would be a constant drumbeat of stories from them–and of course the New York Times and the rest of the legacy media, which of course takes its cue from the Times.

Lady A the Artist told Rolling Stone, “They claim to be allies and that they wanted to change their name out of the racist connotation, and then they sue a black woman for the new name.”

So here is more proof for you that the mainstream media is not interested so much in reporting the news but instead advancing their narrative that America is systemically racist–and conservative Republicans even more so.

Let’s talk common sense. Just because something is legal that doesn’t make it moral. Charles Dickens’ character Mr. Bumble phrased it best in Oliver Twist, “If the law supposes that, the law is a ass–a idiot.” Well maybe that’s an overreach, but there are three idiots in Band Lady A.

I support Peter Sagal’s idea. He hosts NPR’s quiz show Wait…Wait…Don’t Tell Me! “There is a simple solution to this problem, though,” he said. “Lady A the Band should just go by Lady A-Hole.”

That works for me.

I just typed “Lady A-Hole” into the iTunes search box. Nothing relevant comes up.

Go for it.

John Ruberry regularly blogs at Marathon Pundit.

The gentleman journalist

Posted: July 7, 2020 by chrisharper in media
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By Christopher Harper

Hugh Downs stood far above the self-absorbed bloviators who pawn themselves off today as journalists.

For nearly a decade, I worked with Hugh for ABC’s 20/20. He was the consummate gentleman and Renaissance man who treated everyone with respect.

Hugh referred to himself as “a champion dilettante,” who dabbled in music, art, and science. His 1986 memoir, “On Camera: My 10,000 Hours on Television,” was no idle boast: For years, he held the Guinness record for most hours on commercial network television until Regis Philbin eventually passed him.

Hugh was born and grew up in Ohio. His father worked as a salesman who struggled to make ends meet during the Depression. Hugh had to drop out of college to support the family as a radio announcer in Lima, Ohio.

In 1940, after serving in the Army, he joined the staff of WMAQ, the NBC radio station in Chicago. Later in the decade, he made the transition to television, working on “Kukla, Fran, and Ollie,” a popular puppet show.
Eventually, he would appear on “The Tonight Show,” “The Today Show,” “Concentration,” “20/20,” and others.

At the beginning of his career, Hugh said he suffered from stage fright. He recalled those days in “On Camera,” his memoir:

“At the end of a piece of music, when I was supposed to say something, my knees would shake uncontrollably. My pulse and respiration went up. Fortunately, the fear never showed in my delivery, but it did in my hands. If I had to hold copy, the paper would rattle. As a defense, I learned to lay copy out flat on the desk, or, if standing, to grab my lapels along with the copy, so the paper didn’t move with my hands.”

In 1978, Hugh received a call from Roone Arledge, the president of ABC News, asking him to take over the newsmagazine “20/20.” Its debut just a week earlier had been a disaster. Hugh was the sole host until 1984, when his former “Today” colleague Barbara Walters became his co-host. He remained with the program until retiring in 1999.
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In addition to his television work, Hugh was a composer. He wrote a prelude that was performed by the St. Louis Symphony Orchestra.

Hugh was an amateur guitarist and played for Andrés Segovia. He said he was pleased that Segovia did not leave the room.

Hugh also was a science buff and an adventurer. He piloted a 65-foot ketch across the Pacific and traveled to the South Pole.

During my time at “20/20,” I worked with Hugh on a project to create coral reefs near Miami. We had a great deal of fun, including the opportunity to blow up an old ship to start a reef.

But I truly appreciated Hugh’s fame when he was able to get a reservation for our team at Joe’s Stone Crabs in South Beach, where people lined up for hours to get inside in the usually first-come, first-serve restaurant.

Hugh died at the age of 99. I know he probably wanted to reach 100, but somehow 2020 seems more appropriate.

Today at 3 PM EST comes the lastest DaTechGuy off DaRadio Podcast livestream (right after rush). On our podcast today we will talk about:

  1. The firing of a tenured Dean at Umass Lowell Nursing department for stating in writing that all lives matter
  2. The Parable of the Woke Pharisee Protesters and the humble historian
  3. What we’ve learned over the last month
  4. What our new civil war will look like

We will discuss these things, and whatever else tickles my fancy at 3 PM EST. You can watch the podcast live here

Incidentally I’ve reached out to UMass Lowell for comment with a 2:30 deadline. They sent me this statement:

“Leslie Neal-Boylan’s employment at UMass Lowell ended on June 19, after she was informed she would no longer serve as dean of the Solomont School of Nursing. She had been in that role for 10 months. Although a tenured full faculty member, she declined to join the nursing faculty. As with all such employment decisions, it was made in the best interests of the university and its students. Although we are not able to discuss specifics of a personnel matter, it would be incorrect to assume any statement by Dr. Neal-Boylan was the cause of that decision.”

I followed up asking two questions:

  1. Is it the position of the Nursing Department of UMASS Lowell that all lives matter
  2. Are the nursing students being taught by the nursing department at UMASS Lowell that all lives in their care matter?

I’ll let you know if they answer before the show