Posts Tagged ‘pandemic’

Review: Van Morrison’s Moving on Skiffle

Posted: March 12, 2023 by John Ruberry in covid, culture, media, News/opinion, opinion/news, politics
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By John Ruberry

Last Friday, Rock and Roll Hall of Fame inductee Van Morrison released his 44th studio album, the exuberant Moving on Skiffle. 

What is skiffle? Well, the first time I heard of it was in was in an unusual place–maybe not for an American–in the movie This Is Spinal Tap. Before joining the band that would become the heavy metal act Spinal Tap, David St. Hubbins (Michael McKean) was a member of a skiffle group.

Wonderful observation, you might be saying, but once again, what is skiffle? In the late 1920s, it developed as an offshoot of jug music, a genre of the American South and performed mainly by African Americans. The original skiffle was a bit country, a bit folk, and a bit delta blues. Then skiffle died once the Great Depression hit. 

Only it didn’t completely perish. 

Like a sprout from an errant wildflower seed, skiffle surprisingly blossomed again a couple of decades later in Great Britan. The UK’s biggest skiffle star was a Scotsman, Lonnie Donegan. Another skiffle performer, Chris Barber, a British aficionado of New Orleans style jazz, often recorded with Donegan. 

Growing up in 1950s Belfast, Morrsion was one of many UK youths listening to skiffle on the radio. Soon Morrison joined a skiffle band, but by the mid-1960s he was fronting Them, a blues-rock act best known for “Gloria,” before going solo in 1967. Well, you probably know the rest of his story.

Just as skiffle quickly reemerged in Britain, it all but vanished as a popular music phenomenon in the early 1960s. Only its disappearance wasn’t mysterious. The tsunami of the Beat Groups–known as the British Invasion in the United States–which included Them, was the culprit. 

The Belfast Cowboy maintained his love for skiffle thru the decades. Morrison recorded a live album with Donegan and Barber, The Skiffle Sessions – Live in Belfast 1998.

For Moving on Skiffle, Morrison issues a double album of additional classic skiffle songs–there are no repeats from the live collection.

Morrison, who turns 78 this summer, has been newsworthy of late because of his fervent opposition to COVID-19 lockdowns.

In 2021, Morrison released Latest Record Project, Volume 1, a double album. Many of the tracks, including “Stop Bitching, Do Something” and “Why Are You on Facebook?” pushed back on government and Big Tech power. Last year, on What’s It Gonna Take?, Van the Man more directly challenged the lockdowns and creeping totalitarianism, in such tracks as “Dangerous,” which was in response to comments made by Northern Ireland’s health minister, Robin Swann, about Morrison’s anti-lockdown stance. Swann has since sued Van the Man, Morrison has counter-sued. 

On what will likely be remembered as his”COVID albums,” Morrison penned all of the tracks. Moving on Skiffle is a covers collection.

Morrison, who is not a doctor or a scientist, has been proven, in my firm opinion at least, to be correct that lockdowns would not be an effective defense against COVID-19. The harm of lockdowns, such as an overall increase in mental illness and declining school test scores, is apparent.

Yes, COVID, along with pre-exisiting conditions, killed millions, despite lockdowns, masking, and vaccine mandates. But Florida, which didn’t pursue an aggressive lockdown and masking policy, didn’t see a higher COVID death rate compared to lockdown states like New York.

Moving back to Moving on Skiffle, this sparkling collection stays away from politics, except for the strongest track on the collection, “Gov Don’t Allow,” a reworking of the 1920s folk standard “Momma Don’t Allow,” with new lyrics authored by Morrison.

“Gov don’t allow any freedom of speech in here,” he sings, “but I think it’s going overreach–gov don’t allow any freedom of speech in here.”

Now that I have politics out of the way, let’s discuss the rest of Moving on Skiffle.

Other highlights of this ninety-minute collection include another musical reworking, “This Little Light of Mine” becomes “This Loving Light of Mine,” where Morrison adds “Amen” verses. “Gypsy Davy” has a Celtic feel, and there are two Hank Williams songs, “Cold Cold Heart” and “I’m So Lonely I Could Cry.” 

Overall, the collection has a Creedence Clearwater Revival flavor, partly because of the inclusion of Lead Belly’s “Cotton Fields,” which CCR covered on Willy and the Poor Boys. Their hit from that album, “Down on the Corner” has a classic has a jug band feel. 

If you are a Van and Man enthusiast from way back, you’ll adore the final cut on Moving on Skiffle, “Green Rocky Road,” a nine-minute-long track that echoes Morrison stream-of-consciousness gems such as “And The Healing Has Begun” and “Listen to the Lion.”

Skiffle has many definitions. So if you’d prefer you can define Morrison’s latest work possibly as an Americana collection, albeit one with gospel music overtones. 

Oh, I nearly forgot. As with all Van Morrison albums, the singing here, including the work of the backup vocalists, as well as the musicianship–down to the washboard–are spectacular. 

Moving on Skiffle can be downloaded from iTunes or purchased at Van Morrison.com.

Related post:

As Van Morrison turns 77, here are his ten best albums

John Ruberry regularly blogs at Marathon Pundit.

Van Morrison continues his attack on lockdowns and government overreach on his tremendous new album

Posted: May 22, 2022 by John Ruberry in covid, culture, entertainment, media, News/opinion, opinion/news, politics, vaccine mandates
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By John Ruberry

When one looks back the great artists–and I dislike this term–of the classic rock era of the mid-1960s thru the early 1970s, the usual big names to come to mind, the Beatles, the Who, the Rolling Stones, Creedence Clearwater Revival, and Bob Dylan. 

One name–and he just released his 43rd studio album last week–is generally overlooked. And that artist is Van Morrison, also known as Van the Man and the Belfast Cowboy. Oh sure, he’s recorded some memorable hits, such as “Brown Eyed Girl,” along with “Moondance” and “Have I Told You Lately.” Before Morrison’s first album, Blowin’ Your Mind, was released in 1967, he was the frontman for Them. That band’s anthemic “Gloria” deservedly appears on many best-ever song lists. 

But Morrison isn’t a much of a self-promoter–he doesn’t do many interviews and he’s not the best media conversationalist–even though Van the Man’s lyrics are generally eloquent and articulate. 

Two years ago Morrison began attracting media attention for his impassioned opposition to COVID-19 lockdowns, which, during the height of them, prevented Van, who turns 77 this summer, from performing live.

Morrison just concluded a short USA tour, a British tour begins Monday. 

In 2020, Morrison released three anti-lockdown songs, “Born to Be Free” and “As I Walked Out,” as well as “No More Lockdown.” That same year Eric Clapton recorded a Morrison-penned anti-lockdown song, “Stand and Deliver.” Clapton, who celebrated his 77th birthday in March, was diagnosed with COVID-19 last week. Hey, no reasonable person believes COVID is un-catchable. 

Those anti-lockdown songs led Northern Ireland’s health minister, Robin Swann, to write a Rolling Stone op-ed attacking Morrison, where Swann declared, “Some of what is he saying is actually dangerous.”

Last year in Belfast, after four of his concerts were cancelled, Morrison led a “Robin Swann is very dangerous” chant at a banquet. Because of the chant, Swann sued Morrison.

Which brings us to “Dangerous,” the opening track of Morrison’s brand-new album, What’s It Gonna Take?

Somebody said I was dangerous
I said something bad, but it must’ve been good
Somebody said I was dangerous
I must be getting close to the truth, alright, alright

But Morrison isn’t done with lockdowns, as the first ten songs of this 15-song effort attack COVID-19 restrictions on varying levels.

On the title track, Morrison opines,

Politicians don’t represent the people
Government doesn’t represent us at all
Government takes and ruins all our business
Big tax about to take it all.

In life, I’ve learned that sometimes life is just blah blah blah. Really, because that’s another great tune here, entitled of course, “Sometimes It’s Just Blah Blah Blah.”

How do you like the new normal?
Tell me, how is that going for you?
How did you overcome the restrictions?
How do you handle the news?
Do you still think the government’s not lying to you?
Oh, has the penny dropped yet?
Seems there’s no way out of this impasse
Is it something we’ll live to regret?

What’s It Gonna Take? is absolutely an essential musical release but I suspect it will be savaged by the critics, most of whom are liberals. Morrison’s prior collection, a double album, Latest Record Project, Volume 1, also blew the whistle on lockdown restrictions, as well as social media–quite obviously so on the song “Why Are You On Facebook?” It’s a good album, albeit a bit long, but still far better than the swill that passes as 21st century music. And the critics for the most part hated that Latest Record Project, Volume 1.

As recently as 2017 Morrison described himself as apolitical. Clearly, at least in regards to COVID lockdowns and government overreach, he is now a strident libertarian. 

Rock music, with few exceptions, hasn’t been the soundtrack of rebellion for decades. It’s ironic that the most rebellious rocker today–or perhaps he’s a bluesman?–is a man in his late 70s, the Belfast Cowboy, Van Morrison.

Here’s one final brilliant lyrical excerpt from Van’s latest album, this time from “Damage and Recovery.”

Snowflakes hiding in their houses
Most of us need to get right back to work
Money doesn’t grow on trees
Jobs don’t thrive on barren ground
Narrow-minded politics
So-called social scientist tricks
Telling lies, they’re meant to be
Watching morons on TV.

There are a couple of references to “Gates,” as in Bill Gates, a COVID-alarmist. A couple of weeks ago, the Microsoft founder and self-appointed virus expert said about COVID-19, “We didn’t understand that it’s a fairly low fatality rate and that it’s a disease mainly in the elderly, kind of like flu is, although a bit different than that.”

Wow. Two years ago, if someone posted that sentence on Facebook or Twitter, they’d probably have their accounts suspended.

Morrison was right in 2020 about lockdowns and Gates was wrong.

There’s a little bit of Van Morrison in all of us. There’s a lot of Van Morrison in all thinking people.

What’s It Gonna Take? is available for download on iTunes and for purchase in the CD format on Amazon, where, as of this writing, the reviews are fairly good. And you can buy it or stream it from the Van Morrison official website.

UPDATE May 31, 2022:

Yesterday multiple United Kingdom news outlets reported that Morrison has turned the tables on Robin Swann. He’s suing the Northern Ireland health minister.

John Ruberry regularly blogs at Marathon Pundit, he’s married to Mrs. Marathon Pundit. Morrison’s “Have I Told You Lately” plays on their wedding video.

The COVID coup

Posted: May 18, 2021 by chrisharper in politics
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By Christopher Harper

Two crucial statistics jump out at me about the pandemic.

The nation is recording about 50,000 COVID cases a day, roughly the same as before the election. 

The daily average of deaths stood last week at 610, which compares with 817 in the week before the November election.

Despite all the mask-wearing, lockdowns, and vaccinations, the numbers are roughly the same after Joe Biden took over.

Sure, the numbers are better than January and February. Still, the country is roughly at the same place after the Democrats repeatedly attacked Donald Trump for his incompetence in handling the pandemic.

That then leads me to the rather obvious question: Wasn’t the pandemic more about politics than science?

The COVID coup was successful in getting rid of Donald Trump. Now it’s time to return to the mask-less, feckless, and reckless job of ruining the country. 

I’m more than happy to rid myself of the rather useless mask and return to the restaurants and shops without a face covering.

But isn’t it somewhat disingenuous of the Democrats to declare victory? 

The Democrats, combined with their friends in the media, used the pandemic to get Trump out of office. Although the talking points convinced many to vote for Biden, the reality is that Trump did a pretty good job of dealing with a crisis no one had faced for a century.

The Democrats and the media scared people almost to death or at least to vote against Trump. Without the pandemic, Trump would have been easily elected based on the country’s economy alone.

I won’t get into the idiocy of wearing masks because of the “science.” We’ve gone from the scientists telling us that masks were ineffective to the need to maybe wear two masks to the CDC announcement that masks weren’t needed anymore for many people. 

The most damaging part of the coup was to lock down almost everyone across the nation. Not only did the lockdowns, which were mainly the decisions of state officials, tank the economy, but the actions also exacerbated the disease for many people. 

For example, the CDC has determined a reason for a higher percentage of Blacks and Hispanics dying during the pandemic. “[P]ersons from underrepresented racial and ethnic groups might be more likely to live in multigenerational and multifamily households.” Therefore, more Blacks and Hispanics died BECAUSE of the lockdowns. See https://www.cdc.gov/mmwr/volumes/69/wr/mm6942e1.htm

That findings are even worse for those 65 and older. From May 1 to August 31, 2020, 78.2 percent of those who died were 65 and older. That’s three out of every fourth death was a senior when they represent only 16.5 percent of the population. 

Simply put, the lockdowns made life deadlier for many seniors who died during the pandemic.

Although it’s unlikely, I hope some people realize that they got played by the “scientists,” the media, and the Democrats. The numbers don’t back up the “science.”

Changing how we work

Posted: March 2, 2021 by chrisharper in Uncategorized
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By Christopher Harper

Like more and more Americans, I decided to leave the big city and move to the hinterlands, where I can work via computer and save on taxes and housing costs.

Three years ago, I had proposed to my employer, Temple University, that I teach only online. I have taught online classes since 2005 and was good at it.

Unfortunately, my supervisor fought the plan. I challenged the decision throughout the bureaucracy, including a decision to join the teachers’ union. I finally got to teach one class a semester online after I filed a disability claim because of a bad back.

Fast forward to the pandemic. I was advising my colleagues and my college on how to teach online effectively.

Since I only have a few years left before I retire, my wife and I decided to move from Philadelphia to Muncy, Pennsylvania, a town of about 2,400 people in the north-central part of the state.

That move saves us about $1,000 a month on city taxes. Housing is half the cost for twice the space.

Moreover, research has demonstrated that students learn just as effectively online as they do in person. I’ve found that the discussion is far better online than in person because students don’t feel anxious about talking when they’re outside the classroom setting.

I teach asynchronously, which means there aren’t any silly Zoom meetings. I post prepackaged videos and study materials to a website. Students can work on the material at their own pace and refer back to materials they find challenging.

So far, Temple and other universities have not lowered the price for online classes—a reduction that should happen because virtual learning requires fewer buildings, less maintenance, and only a slightly higher increase in technological assistance.

I’m not alone in my desire to continue working from home. According to the U.S. Bureau of Labor Statistics, nearly a quarter of all Americans worked from home during the pandemic. A new Bucknell University Freeman College of Management survey also found that workers over 40 preferred telework. In contrast, younger workers are more likely to return to in-person work when possible. For more information, see https://www.bucknell.edu/sites/default/files/college_of_management/covid-19_telework_study_report.pdf

The survey of 400 people reported other interesting results:

–67% of those surveyed said telework helped improve the quality of their work. 
 –61% noted a productivity improvement.
 –60% said they performed their jobs better.

Coupled with the savings I and others made, I am more than happy to stay at home and continue teaching online. 

Obviously, some industries cannot be restructured for online-only work. But rethinking how we work has been at least one good effect of the pandemic.

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