Archive for the ‘entertainment’ Category

Saturday Geeking Picard, Sinking Who, Batwoman Crisis, Where’s the Orville? John Wayne vs Baldrick and Two Down Four to Go

Posted: January 25, 2020 by datechguy in comedy, culture, entertainment

I haven’t taken the time to watch Picard because I refuse to sign up for CBS all access and it seems to be the general consensus is that Patrick Stewart is excellent and while it’s a tad woke it could have been a lot worse.

I really get the feeling that there are a lot of Stewart fans who really WANT to like the series because they want to like him, combine that with the fact that he’s a generally good actor playing an iconic character the he originated and you get fans almost desperate to cheer it.

What does it say about what the woke have done to a series when “Couda been a lot worse” sounds like a victory lap?

Meanwhile Doctor Who continues to crash and burn with rating sinking to McCoy era numbers and worse. The fact that rotten tomatoes keeps clearing out bad reviews makes it even worse in terms of appearance that they have somehow decided to sign for yet another series after this one.

It seems the woke folks at the BBC are determined to purge the last of the old fan base to leave the series pure without it to the point where we are actually seeing people say it’s beyond redemption at this point and better off cancelled.

I have a feeling all of his was avoidable but you get a real feeling that these guys hated their customer base more than the liked the franchise, and frankly the didn’t like the franchise all that much.

The same crashing and burning is taking place in Batwoman. The rating weren’t all that good to start and Crisis on Infinite Earth’s Crossover managed to eat up a lot of oxygen (the whole multiverse idea which now allows the possibility of every single person who ever played any DC character to cross over is big, particularly when you consider that there is at least one comic “universe” where the DC & Marvel heroes co-exist) but once it had to stand on it’s own woke feet the burn began again and the rating are finding new frontiers of holes.

Now it’s possible that even the lousy ratings it has generates enough funds to pay for the series and if it does then they can continue to play the woke game as long as they want (sort of like Doctor Who) where it continues to be a niche show for a niche market, but if that’s not the case and it remains the CW version of the WNBA only surviving because the larger franchise is willing to take a hit to prove its woke credentials it remains to be seen how long it can go on.

With so many longtime franchises committing woke Seppuku the wait for the 3rd season of The Orville has been excruciating. You would not think that one of the wokest lights in Hollywood would be producing practically the last show that can be enjoyed just for being good but McFarline has done it not allowing his woke message (yeah it’s there we all see it just like we did in every series of Doctor Who Pre-Whitaker ) to overwhelm actual storytelling.

The wait is harder because I’ve actually reached the point where we don’t know if the temptation to go full woke is there. He’s reached a point of wealth and celebrity where it doesn’t really matter but I get the feeling he hold just enough of the geek/fanboy inside of him that he doesn’t want to screw over others the way the other franchises have.

Hope I’m right.

Was looking for a free movie on Amazon Prime and settled on Brannigan one of the last pictures John Wayne made where he plays a Chicago Cop to travels to England to pick up a fugitive, John Vernon of Dean Wormer fame.

There is one scene particularly made for comedy geeks where Wayne the acting icon meets encounters someone you would not expect to see in a John Wayne Movie

Yes that’s a very young Tony Robinson before he became a comic icon as Baldrick in the Black Adder series doing a comic pratfall for Wayne. You never see him asked about it in interviews which I find rather strange, but just seeing the two of them together given their histories is enough to make me laugh

Finally with Terry Jones dead the Pythons now have two down and four to go. Combined with Neil Innes recent death it’s a big blow to fans however given their ages not all that surprising.

I suspect it will cause a lot more interest in John Cleese’s visit to Worcester in a few weeks as the realization that the number of chances to actually see these guys in person is dropping exponentially.

I must confess that when I heard he had Alzheimer and Dementia all I could think of was him in the fourth series of Python in drag with a weird umbrella like hood over his head doing an odd dance in the street and ask “given the characters he has played over the years how can anyone tell the difference?”

Review of the Netflix series Thieves of the Wood

Posted: January 19, 2020 by John Ruberry in culture, entertainment, media
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By John Ruberry

Are you missing some Robin Hood in your life? If you are a Netflix subscriber and you can stomach graphic violence, including torture, as well as gratuitous nudity, then you may want to take a look at the ten-episode Belgian series Thieves of the Wood, which began streaming earlier this month.

And you must be patient. Thieves of the Wood moves slowly, and if you don’t know about Jan de Lichte or Flanders of the 18th century, as I didn’t until a few days ago, you might get lost.

After watching the first episode I was indeed lost. So I got on my iPad where I learned that Jan de Lichte was a real person, a highway man, who of course robbed from the rich. After all, stealing from the poor is never very profitable. At the beginning of that first episode, de Lichte (Matteo Simoni) is being dragged on a sandy trail by mounted Austrian troops, he’s accused of murder and desertion. Now is the time to bring some historical perspective. Most of contemporary Flanders, a Dutch speaking region, lies in Belgium. But in the 1740s this region was then part of Austria although it was occupied by France. Historians call this conflict the War of Austrian Succession.

De Lichte escapes. He returns to his hometown of Aalst, which is run by corrupt Flemish aristocrats, led by Mayor Coffijn (Dirk Roofthooft). Just as de Lichte arrives in Aalst, so does the new bailiff, that is the chief of police, Jean-Phillipe Baru (Tom Van Dyck). Both learn that punishment is harsh in Aalst. Baru is horrified when he learns that a man and a woman are about to be flogged for the crime of stealing two rabbits from Coffijn’s estate, then branded–while their children watch. Now paperless, they are exiled from the city to live in a nearby forest.

Those woods are not the Nottingham Forest of Errol Flynn’s The Adventures of Robin Hood. The refuge is overrun by abject poverty, disease, prostitution, and opium smoking. De Lichte, aided by his half-brother Tincke (Stef Aerts), organize the downtrodden to fight back against the oppression, although it’s not until the fourth episode–I did say that Thieves of the Wood requires patience–that their plans bear fruit.

The loot is shared. Everyone wins in the forest. While Coffijn seethes

The scriptwriters are clearly hostile to the Catholic church. There is no Friar Tuck in this forest, in the town presides an imperious priest, Picke. He reminded me of the cruel Lutheran bishop in Ingmar Bergman’s Fanny and Alexander. 

As the series played out to me I fully expected a Donald Trump reference or two, especially since America comes up in the dialogue a couple of times. Then it hit me. Two of the town council members, including Mayor Coffijn, wear orange, or I should of course say red, periwigs. Perhaps that’s only a coincidence. Perhaps not. 

Some of the good: The costumes of Thieves of the Wood, including those wigs, are first-rate and the cinematography is superb. 

And now some of the bad: There are no subtitles, the Dutch dialogue instead is dubbed by British actors. The American entertainment industry suffers from the false premise that we won’t watch subtitled offerings. But last night I saw the Korean film Parasite, which is subtitled. Not only is Parasite an Academy Award nominee for Best Picture (and Best International Feature Film), but it is also performing very well in the domestic box office. Deservedly so, I’d like to add. 

Thieves of the Wood is rated TV-MA for reasons I listed above. 

John Ruberry regularly blogs at Marathon Pundit.

Ricky Gervais Does the Impossible

Posted: January 7, 2020 by datechguy in comedy, culture, entertainment, Vive L'Empereur
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I went to the Doctor’s on Monday to get an update on the shoulder (I start therapy later this month, looks like Surgery is off the table for the moment) and something amazing took place as I entered the x-ray room.

The x-ray tech was talking about the golden globes.

Now if you are my age you are old enough to remember when the award shows of Hollywood were a big deal, who can forget that moment when John Wayne finally won an Oscar.

But this century, and particularly over the last decade as Hollywood has become more disdainful of the people who actually buy the tickets interest has dropped to the point where absolutely nobody cares and so politically correct that a ten year old tweet can doom a promising comic.

Then came Ricky Gervais who came on the air Sunday to host the golden globes and gave an opening monologue for the ages.

I’m writing this post at 2:24 PM on Monday afternoon and as of this moment this video has over 2.3 MILLION views.

As you might guess this monologue didn’t please Hollywood, the response of Lorraine Ali of the LA times (via the Washington Examiner) was typical:

Well, you say you’re woke, but the companies you work for in China — unbelievable. Apple, Amazon, Disney. If ISIS started a streaming service you’d call your agent, wouldn’t you?”

The commentary would have meant far more if Gervais himself had been brave enough to drop the tired agitator shtick and, for once, read the room.

In that critical moment Lorraine Ali revealed that she did not know who the room was.

Lorraine Ali thought his “room” was the assembled talented but self righteous celebrities who gain their wealth and influence by pretending to be what they’re not for the pleasure of the people who actually build and do the things to keep the world going. But that was not his room, nor is it the room of any TV host as I explained the next morning on twitter

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For the first time in decades people are talking about the golden globes both the night of the golden globes and the next day and while I don’t know if the ratings improved as the night went on I suspect more than a few people tuned or streamed in to see if Gervias had more to say, he did:

And in fact in a post show poll over 71% wanted to see him come back next year.

Golden Globes viewers have spoken, and they want Ricky Gervais to host “every year.” A whopping 71% of fans who voted in our recent poll said he did an “amazing” job overseeing the 77th ceremony on NBC. To compare, 9% thought he was “good, but forgettable” while the remaining 20% of haters voted that he was “awful.”

The funniest reaction came from this fellow:

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because NOBODY is more marginalized that Hollywood actors.

Now don’t let anyone be fooled, Gervais is a man of the left, he remains such a man but he was hired to do a job and part of that job is to produce buzz for this show.

If I’m NBC I would have make sure people were talking about if the would be signed next year and then with a month or two before the event sign him and watch the buzz begin and the ratings sour.

Review: The Two Popes

Posted: December 22, 2019 by John Ruberry in catholic, Church doctrine, culture, entertainment, media
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By John Ruberry

“I’m not familiar with this part of the garden,” Pope Benedict XVI (Anthony Hopkins) tells Cardinal Jorge Bergoglio (Jonathan Pryce) as they enter an area overrun by brush and deadwood in The Two Popes. Benedict then asks the Argentinian, “Which way?”

That garden, at the Vatican’s Palace of Castel Gandolfo outside of Rome, could rightly be called Benedict’s garden, as he was the Pope. Yet Benedict asks the man who ends up as his successor, Bergoglio, who became Pope Francis in 2013, for direction. Oops, I mean directions.

Clearly the scriptwriters and the director of The Two Popes favor the liberal leadership under Francis–the garden scene neatly ties up that sentiment in a bow.

Later, as Archbishop of Buenos Aires, Bergoglio decries inequality, repeated images of ugly walls are shown.

The Two Popes is largely fictionalized story centered on the theological divide between the 265th and the 266th pontiffs. After a limited theatrical release, including a showing at the Chicago International Film Festival, which was sold out, preventing Mrs. Marathon Pundit from seeing it, the film debuted Friday on Netflix. The Two Popes is worth seeing, whether you are a Catholic or not, or a believer or not. The Welshmen in the lead roles, Hopkins and Pryce, provide superb performances. Of course Hopkins’ career has been justifiably rewarded, including gaining four Academy Award nominations, and winning the Best Actor Oscar for his role as Hannibal Lecter in The Silence of the Lambs. Amazingly, despite stellar work in such movies as Something Wicked This Way Comes, Brazil, The Adventures of Baron Munchausen, and The Man Who Killed Don Quixote, Pryce has never been honored with an Academy Award nomination. He deserves it for his performance as Francis, but my guess is that the Academy will overlook Pryce again.

The interplay–and the arguing–is what keeps The Two Popes going.

As for the fiction, there is plenty of it here. There were no long meetings between Benedict and Bergoglio; the catalyst for their movie summit was an offer of resignation from the cardinal, which is harshly rejected as a challenge to Benedict’s authority. The future Pope Francis turned 75 in 2011, it is customary for archbishops to retire at that age. It can be assumed that the pair never discussed the Beatles or their Abbey Road album. And it’s quite likely that Benedict’s favorite television show is not Kommisar Rex, an Austrian detective program where a German shepherd solves crimes. This sidetrack is probably a sly reference to Cardinal Ratzinger’s long term as the head of the Congregation for the Doctrine of the Faith at the Vatican under John Paul II, where he picked up the nickname “God’s Rottweiler.”

There are numerous flashback scenes involving Francis, including his early romance, his call to the priesthood, his muddled legacy from Argentina’s “Dirty War,” his rise, then fall, and his rise again within the Argentine Catholic Church. 

In the garden walk scene, Bergoglio condemns Benedict’s handling of the pedophile crisis within the priesthood, which included confession of the guilty–he calls it “magic words.” Benedict’s retort is harsh and telling, “Magic words, is that how you describe the sacrament?”

The Two Popes gives viewers plenty to think about. 

John Ruberry regularly blogs at Marathon Pundit.

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