Posts Tagged ‘datechguy's magnificent seven’

We should never have surrendered the Culture War to the Political Left

Posted: May 11, 2023 by Jon Fournier in Uncategorized
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For decades the political has left waged a guerilla style war here in the United States.  It was a cultural war fought with destructive ideas rather than the type of war fought with guns and other physical weapons.  It was a war they fought unopposed because most of us on the political right did not think this conflict was worth our attention.  We were so very wrong.

A small minority of us Conservatives and Libertarians saw what was taking place and tried desperately to raise the alarm.  We were all but ignored.

Now that this culture war is all but won by the Marxist Left, a sizable percentage of those of us on the Right have finally taken notice and have begin to fight back.  The hugely effective boycott of Bud Light is strong evidence that we have effective weapons in our arsenal.

The political left has targeted children from the very beginning.  This article explains the two fold rational behind this.

Leftists aren’t building a robust generation of people who can fight wars and control countries. Instead, they are creating a broken generation of people who will be physically and mentally dependent on government care for the rest of their lives.

Lenin understood how important children are to any revolution. The most famous quotation attributed to him is, “Give us the child for eight years, and it will be a Bolshevik forever.” An alternative is, “Give me just one generation of youth, and I’ll transform the whole world.”

As you can see from this article, the strategy employed by the left was devious and effective.

Much as America’s enemies historically used its (formerly) free press and the nature of its open society against it, Constitution-disdaining leftists used conservatives’ adherence to the Constitution — and its mandate for limited government, the rule of law, and equal justice under that law — against them in their now successful bid to get control over virtually all of the country’s institutions and levers of power.

They now ruthlessly use the self-same institutions they used to protest — but now own — to spy on, castigate, deplatform, silence, slander, “cancel,” and even incarcerate those with whom they disagree.  They eschew dialogue and debate and simply scream “racist!” or “transphobe!” at any- and everyone who dares to dissent from their preposterous narrative.

Corporate media proved to be the most effective arsenal the left employed in this culture war.

IF you can control the information flow, you can control an entire society. Gone are the days of trusting your reporters and news outlets to provide unbiased and factual pieces to keep you informed on the state of your country.

Perhaps I’ve watched too many “X-Files” episodes, but I now embrace the same principle of Fox Mulder: trust no one. To get to the bottom of any story as a citizen, you’d have to read reports of the same incident on at least 30 different outlets to get a sliver of truth.

The hard reality is that traditional media outlets have been not just complicit, but happy little manipulation warriors bent on ensuring your mind and views fall in line with their chosen narrative.

Over the last decade, their narrative of choice: You’re a racist. 

According to Lexus Nexus, there has been a marked increase in specific phrases and words since 2014. As an example, below is a taste of some of these terms: white privilege, system racism, diversity and inclusion, unconscious bias, whiteness, intersectionality, diversity training, police brutality

How sharp is this increase? For example, between 2011 and 2019, the New York Times and Washington Post increased using words like ‘racist,’ ‘racists,’ and ‘racism’ increased by over 700% and 1,000%, respectively. 

Furthermore, between 2013 and 2019, the same two publications increased their usage of terms like ‘systemic racism,’ ‘structural racism,’ and ‘institutional racism’ by 1,000%. And during that same timeframe, the two liberal heavyweights of print used ‘white privilege’ and ‘racial privilege’ at an increased rate of 1,200% and 1,500%, respectively.

College campuses have also been the primary battlefields where this culture war has been fought and won by the left.  Checkout this article.

Hundreds of professors at the University of North Carolina signed a public letter Tuesday opposing legislation that would require university students to take courses on America’s government and founding documents.

The 673 UNC Chapel Hill professors revealed the public letter Tuesday, arguing the new courses and another bill in the North Carolina House of Representatives would constitute an infringement on the university’s “academic freedom.”

The first piece of legislation, House Bill 96, would require students to take a 3 credit-hour course covering America’s founding and history. Required reading for the course would include the U.S. Constitution, the Declaration of Independence, the Emancipation Proclamation, at least five essays from the Federalist Papers, Dr. Martin Luther King Jr.’s Letter from Birmingham Jail and the Gettysburg Address.

The author if this American Thinker article has it absolutely correct.

Put simply, the big mistake in thinking the culture war isn’t the most critical issue heading into 2024 is that all of American politics is now one big culture war. The culture war is the only issue because the cultural war is everything now. When one side stakes its claim to political power on offering abortion up until birth and transgender operations for 8-year-olds, and holds out these policies as proof of its moral authority, we’re way past arguing over how to get the economy back on track. There’s no going back to that kind of politics.

Tucker Carlson hit on this at the end of his big speech at Heritage recently. He compared the values of the political left to the values of the Aztecs, who sacrificed children to their bloodthirsty gods — and he wasn’t wrong.

The Kinks at 60, here are their 10 best albums

Posted: May 7, 2023 by John Ruberry in culture, entertainment
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By John Ruberry

The Kinks are celebrating the 60th anniversary of their founding. In March, the legendary band released a two-CD compilation, The Journey – Part 1 (1964-1975), which is a great place to acquaint yourself with these wonderful performers. 

To further immerse yourself with the Kinks, I have determined what I believe are their ten-best albums. 

By the way, what is one test to ascertain if someone is intelligent? Well, if a person is a Kinks fan, then you found smart guy or gal.

The Kinks were founded in 1963 in Muswell Hill in North London. The heart of the band are the Davies (pronounced Davis) brothers, Ray, the principal songwriter, lead vocalist, and rhythm guitarist, and Dave, lead guitarist, and occasional songwriter, who sometimes sings lead. Mick Avory is the drummer.

The band broke up in the 1990s, Avory departed the band in 1984. Over the years the Kinks, first a quartet then a quintet, had a series of bassists and keyboardists. Although they haven’t toured or recorded since then, the Davies brothers reformed the Kinks in 2018, Avory is included as a member.

Last summer, at Skokie’s Backlot Bash, an annual event held near my home north of Chicago–the festival coincidentally honors another English phenomenon–Charlie Chaplin–local band Tribotosaurus put on a Kinks show. In his introductory remarks, the band’s lead singer remarked, “The Kinks are the forgotten band of the British Invasion.” Quite true.

Early Kinks tours were tumultuous affairs as they fought each other and anyone else in their way. “At the height of our success in the 1960s,” the narrator in Ray’s solo song ‘Invaders’ explained, “the Kinks were banned from touring the USA for four years, when we did return, we toured the USA relentlessly, tour after tour. Year after year. To win back what we’d lost.”

Who was behind that ban? The American Federation of Musicians. And those years spanned from 1965-1969, musically they were transformational years when rock was transformed from being pop music into an art form.

Here is one account about why the ban occurred, but there are many others.

While what became into the holy trilogy of British rock–the Beatles, the Rolling Stones, and the Who–looked outward musically, Ray and the Kinks turned introspective during their ban from America. For inspiration, they turned to the British music hall songs they learned from the parents. Music hall, the UK version of vaudeville, also describes a style of music. Famous music hall tunes that you probably have heard include, “It’s a Long Way to Tipperary,” “Pack Up Your Troubles in Your Old Kit-Bag,” and “I’m Henery the Eighth, I Am.” Hermans Hermits scored a hit with the last one in 1965. 

That sounds horrible for the Kinks, right? 

Wrong. The Kinks’ best work was recorded during their “lost period” in America. Only two Kinks singles charted in the United States from 1967-1969, and they peaked deep in the bottom half of Billboards’ Hot 100. But the hits kept coming in Britain and elsewhere. 

The Kinks have been cursed with bad luck– and some of those wounds were self-inflicted. In their last album with new material, the mostly-live album To The Bone, Ray looked back in his introduction to their song, “I’m Not Like Everyone Else.” Of that composition he said, “It kind of sums up what we’re all about, the Kinks, because everyone expects us to do wonderful things, and we mess it all up, usually.”

The Kinks’ bad luck even extended to that Tributosaurus gig in Skokie. The band pumped out four great classic Kinks songs, but then a Caddyshack-level thunderstorm struck, which forced the rest of the show, as well as the final night of the Backlot Bash, to be cancelled. 

Even if the Kinks’ career consisted of one song, “You Really Got Me,” their international hit from 1964, their place in rock and roll history would be secure. That power cord classic inspired four rock genres, heavy metal, hard rock, punk rock, and new wave.

But there is so much more to the Kinks.

Let the countdown begin. 

Not before, that is, a big shout out to the USA-only compilation The Kink Kronikles. That collection not only does a great job covering the Kinks’ “lost years” in America, but it contains such wondrous non-album singles such as “Wonderboy,” “Autumn Almanac,” and “Days.” Those singles, however, often appear on extended versions of some of these albums you’ll soon learn about.

But I’m reviewing the original releases.

10) Give the People What They Want (1981): There are some strong tracks here, particularly “Destroyer,” where Ray rips off himself with an homage to the Kinks’ earlier hit, “All Day and All of the Night.” The Kinks were firmly ensconced in the arena rock phrase of their career when this collection was released, and “Around the Dial” captures that era in just under five minutes. On the other hand, the best track here, “Better Things,” reaches back to that “lost period.” The Pretenders’ Chrissie Hynde, with whom Ray had a romantic relationship at the time, contributes background vocals on four songs.

9) Schoolboys in Disgrace (1975): Beginning in the early 1970s the Kinks recorded a series of concept albums. During supporting tours, these efforts were presented as low-budget stage shows. The last such Kinks “musical” offers a huge helping of 1950s-styles rock, along with a look back at the Kinks power-chord early days. But it betrays Kinks bad luck too. The “rock and roll revival,” rocks first nostalgia movement, which was partially inspired by the Beatles White Album, had run its course by 1975. Power chord music would bounce back in the late 1970s. Wrong place, wrong time. “The Hard Way” would have been a hit in 1979, the same year the Knack scored a number one smash with “My Sharona.” Ironically, the next year the Knack covered “The Hard Way.” Other strong tunes here include “Education,” “No More Looking Back,” and “Jack the Idiot Dunce.”

8) Sleepwalker (1977): The Kinks’ first non-thematic album in nearly a decade, Sleepwalker was a mainstream effort that proved that the band could still rock as well as anyone else. The title track, “Juke Box Music,” “Life on the Road,” and “Life Goes On” are the best tracks.

7) The Kink Kontroversy (1965): In the mid-1970s, Van Morrison recorded an album titled A Period of Transition. That would be fitting moniker for this collection, the Kinks’ third album. “Till the End of the Day” was their last power chord hit. Very early in their career the Kinks recorded many blues rock songs, and there are some on this offering, the best of which here is “Gotta Get the First Plane Home.” Another shining moment, “Where Have All the Good Times Gone,” is sung from the perspective of a middle-aged man, but written by Ray, who was 21 at the time. It foreshadows future greatness.

6) Muswell Hillbillies (1971): We’ll hear about the predecessor to this collection, Lola Versus Powerman and the Moneygoround, Part One soon, but that album brought the Kinks back to prominence and a well-deserved place, albeit briefly, at the head table of rock’s elite. You remember Ray’s remark about the Kinks–that “everyone expects us to do wonderful things, and we mess it all up, usually.” Not that Muswell Hillbillies is bad. Far from it. But the “Lola” album was mostly a hard rock effort, and the Kinks certainly confused its new American fan base with Muswell’s country rock and music hall flavor. Besides the title tune, “20th Centry Man,” “Oklahoma USA,” and “Have a Cuppa Tea” are standouts.

5) Face to Face (1966): Ray emerged as a first-rate storyteller here. While not a concept album, a minor narrative can be found on Face to Face with “A House in the Country,” “Most Exclusive Residence for Sale,” and “Sunny Afternoon,” the Kinks last American hit until 1970. “Holiday in Waikiki” was composed during the Kinks’ disastrous 1965 tour. And had Buddy Holly not taken that fateful airplane flight in 1959 in Iowa, he may have been writing songs like “I’ll Remember” in 1966.

4) Something Else by the Kinks (1967): This is the Kinks most-music hall album. “Harry Rag” might be the most typical of this collection, as “Harry Rag” is old British slang for a cigarette and it’s a sing-a-long tune, and many music hall tunes were written with audience participation in mind. Dave sings lead in a Ray/Dave composition, “Death of a Clown.” But “Waterloo Sunset,” a smash hit just about everywhere except in America, is the best song here, and arguably the Kinks’ greatest recording.

3) Lola Versus Powerman and the Moneygoround, Part One (1970): In the United States, other than “You Really Got Me,” the sorta-title track “Lola,”which is about a strange encounter with what we now call a transgendered woman, is the Kinks best-known song. It was an international hit–and a second single from this album, “Apeman,” also did well as a single. A Dave tune, “Strangers,” is an eerie song about friendship that is one of the Kinks most covered works. This album is yet another band “mess up,” because there was never Part Two. Oh, I nearly forgot, “Get Back in Line” tells the story of worker who a capricious union boss refuses to hire. Yes, it’s a musical punch at the American Federation of Musicians.

2) Arthur (Or the Decline and Fall of the British Empire) (1969): It wasn’t their fault, but here’s another Kinks “mess up,” albeit a brilliant one. Arthur is the soundtrack for a television movie, but that film was never made, although it’s not the fault of the Davies et al. This wondrous collection starts off with the rollicking “Victoria,” the band’s hardest rocker since 1965. “Shangri-La,” a sprawling epic, looks, not so fondly, at the British class system. “Some Mother’s Son” ranks with the best anti-war songs ever written.

And number 1 is:

The Kinks Are the Village Green Preservation Society (1968): Released the same day as the Beatles White Album, VGPS, another music hall-inspired gem, has Ray telling stories about a sleepy English village. Like the central character of his “Autumn Almanac,” in regard to the title track, it’s difficult to fathom if Ray is celebrating, presumably at least, the little old ladies who are members of the Village Green Preservation Society, or mocking them, as he sings, “God save little shops, china cups and virginity.” Don’t forget, we’re in 1968 here. “Do You Remember Walter” looks at the inevitable disappointment when childhood dreams don’t match up with adult reality. The mellotron driven “Phenomenal Cat” is about a legendary, in the imagination of “idiot boys,” flying feline, who, after traveling the world, decides the best life him is to live in a tree and pursue obesity. While “Animal Farm,” which has nothing to do with the George Orwell novel, views rural life more fondly.

There is no rock album quite like VGPS. XTC’s masterpiece, “Skylarking,” thematically comes close.

If you don’t like my choices, well, that’s why we have a comments section here.

And finally, God save the Kinks.

John Ruberry has seen the Kinks twice in concert, both times in Champaign, Illinois. He usually blogs at Marathon Pundit.

What’s worse than the military recruiting crisis?

Posted: May 6, 2023 by navygrade36bureaucrat in Uncomfortable Truths, war
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What if the best people in the military start asking “Who is John Galt?

Anyone who has read Ayn Rand’s “Atlas Shrugged,” or like me used the audiobook because its too damn long to read on paper, knows what I’m talking about.

Spoilers ahead for those that haven’t read it.

The book is set in a future world, where American industry is slowly crumbling. Trains are a preferred method of transportation, but its becoming harder and harder to run the trains on time because of a crushing bureaucracy in government that is making it more painful for businesses to operate. Eventually one of the characters, John Galt, decides to destroy the bureaucracy by removing all the smart people from the system in what he calls a strike. He approaches the engineers, business owners and other hard workers and offers them a chance to leave to a hidden place where their efforts are appreciated instead of demonized. This causes the United States to delve into dictatorship, and eventually collapses, with John leading the strikers to now rejoin the world.

By HKDP – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6617195

It was a hit book. The first movie was good (although it wasn’t well received, go figure!), but movies 2 and 3 kinda sucked. The book teases out the interesting point that a small number of people tend to make the biggest impact on industry, and if they quit, the systems they run tend to collapse.

I’ve seen this hold true in the Navy. I’ve watched some leaders take difficult commands and turn them around, only to watch another lesser leader destroy the well-functioning command right after. It’s incredibly infuriating to spend two years building a team of people, only to watch a new person come in and squander your efforts.

When I think about military recruiting, I’m not as worried about the young people coming in. Every young generation gets looked down upon by the older ones. Every older generation thinks they were so much better at that age. Young people tend to do OK long term.

But what happens if the talented people decide the military isn’t worth joining? What happens if the budding young Nimitz, Marshall, or Billy Mitchell decides to leave, or never join in the first place? What happens if after they join and are greeted with an oppressive bureaucracy of our own making, they vote with their feet?

What happens if John Galt gets to them first?

Our military relies on a perilous few smart people to drive the strategic thinking of the organization. Not everyone is going to be a Nimitz. That’s fine if and only if we actually HAVE the Nimitz in our midst. But if the Nimitz decided he or she had enough beratement by lesser individuals, then we’re going to be left with more Richmond Turners, who might win in the short term through brute force, but lack the operational and tactical genius to win our long term conflicts.

Military recruitment scares me, but the ongoing brain drain as people ask “Who is John Galt” gives me nightmares.

This post represents the views of the author and not those of the Department of Defense, Department of the Navy, or any other government agency. If you enjoyed this article, drop some coin in DaTechGuy’s wallet!

Do journalists have ethical standards anymore? Overlooked story about a Chicago Tribune reporter gives me doubts

Posted: April 30, 2023 by John Ruberry in culture, media, News/opinion, opinion/news, politics
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By John Ruberry

Late in 2021, the father of Chicago Tribune City Hall reporter Gregory Pratt, died. Father and son shared the same name, but the younger Pratt hadn’t seen his dad since he was five. That is, until shortly before the passing of the older Pratt, which the reporter, in a behind-the-pay-wall column, movingly wrote about in the Tribune. 

Last week, the Chicago City Wire, a newspaper often dismissed as “fake” and “pink slime” by liberals, noticed something in Pratt’s column, a link to a GoFundMe page organized by a cousin for the reporter, to defray the senior Pratt’s medical bills, That GoFundMe link should have immediately raised eyebrows. But it was the “fake” source that got the scoop.

The Chicago Tribune’s lead City Hall reporter Gregory Pratt solicited and received at least $1,790 in donations in a GoFundMe.com fundraiser benefiting his family from sources he covers– including elected officials, political consultants and lobbyists.

The donors included Cook County State’s Attorney Kim Foxx, who gave him $150, along with Evelyn Chinea-García, the wife of recent mayoral candidate, U.S. Rep. Jesus “Chuy” Garcia ($500) and former Illinois Deputy Governor and State Attorney General candidate Jesse Ruiz ($100).

Three members of the Chicago City Council Pratt covers – Ald. Gil Villegas (36th), Ald. Samantha Nugent (39th) and Ald. Matt O’Shea (19th)– also contributed to Pratt, along with Metropolitan Water Reclamation District Commissioner and lobbyist Michael Alvarez ($250) and Chicago political operatives Rebecca Carroll, Eli Stone, Carolyn Grisko and Joanna Klonsky, who recently worked for Chicago Mayor Lori Lightfoot.

Chicago City Wire, and several other papers, are published by Local Government Information Services, which was founded by conservative activist and WIND-AM radio personality Dan Proft in 2016.

I wrote about these publications here at Da Tech Guy last year.

A Twitter fight between Proft and Pratt ensued, which led former Chicago Tribune columnist John Kass to respond in the comments thread, “When a news organization gives editorial control to billionaire Bolshevik like George Soros, that news organization has no credibility. Any comment @chicagotribune @CTGuild @royalpratt???

Kass’ referral to @CTGuild is in regard to the Chicago Tribune Guild, the union representing Trib reporters. It is the organization that fought with the longtime conservative columnist at the Tribune over a 2020 column highly critical of Kim Foxx–you know, Jussie Smollett’s protector–where Kass brings up how Foxx and other big city Democratic catch-and-release prosecutors are funded by leftist billionaire George Soros. The Guild, of which Kass was not a member, in a biased manner deemed that column as anti-Semitic. The Guild’s protest led to a de facto demotion for Kass.

Pratt, whose Twitter handle is @royalpratt, displays the Chicago Tribune Guild logo on his Twitter page. 

As legendary baseball announcer Mel Allen used to say, “How about that?”

To be fair, for all I know, Kass and Pratt are best pals. Then again, probably not.

Proft and Kass’ objections to the GoFundMe linkage are fair. Could those donors who work in politics, and who Pratt is expected to cover without bias, expect more sympathetic coverage if he knows they contributed to his dad’s GoFundMe page?

I don’t know.

Here’s what the New York Times, on its ethics page, says about possible improprieties.

Personal relations with sources: Relationships with sources require the utmost in sound judgment and self discipline to prevent the fact or appearance of partiality. Cultivating sources is an essential skill, often practiced most effectively in informal settings outside of normal business hours. Yet staff members, especially those assigned to beats, must be sensitive that personal relationships with news sources can erode into favoritism, in fact or appearance. And conversely staff members must be aware that sources are eager to win our good will for reasons of their own.

Which brings me to beat reporting. Years ago, the Trib used to move around reporters in a seemingly bizarre fashion. For instance, Bruce Buursma went from the religion beat to covering the Chicago White Sox. Such transfers create more-rounded journalists –and since Chicago’s two baseball teams went nearly a century for one–and over a century for the other–between World Series titles, a faith reporter might have been just what baseball fans reading the Tribune needed at that time.

Sadly, for reporters coving elected officials, mostly but not exclusively on the left, politics is their religion. They are not journalists, they’re activists playing on the same team.

Here’s one more old story. Jay McMullen, who later married Chicago mayor Jane Byrne, was for over twenty years was the City Hall reporter for the Chicago Daily News and the Chicago Sun-Times. Eventually his bosses viewed McMullen as being too cozy with the pols he covered–so he was exiled to the real estate page. McMullen later worked for his wife during her single term in office.

Note: Two days ago, I emailed Gregory Pratt about my intention to write a blog post about the GoFundMe page controversy. I received an out-of-office reply that suggested I contact another person. As of the evening of April 30, I have not received a non-automated response from either of them.

John Ruberry regularly blogs at Marathon Pundit.

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