Posts Tagged ‘john ruberry’

America’s worst mayor, Lori Lightfoot, will announce she is running for a second term this week

Posted: June 5, 2022 by John Ruberry in crime, economy, elections, News/opinion, opinion/news, politics
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By John Ruberry

Now that New York’s Bill De Blasio has been term-limited out of office, America’s worst mayor is Lori Lightfoot of Chicago.

This week Lightfoot will announce she is running for a second term, from an unusual location, Chicago’s West Side, a largely overlooked part of the city, except in regard to violent crime. At her side, according to Fran Spielman of the Chicago Sun-Times, will be three West Side aldermen, each of them black. 

Chicago’s candidates for mayor will face off in a late February election. If none of them receives 50 percent of the vote, the two candidates who tallied the most votes face off in an April runoff.

In his most recent Chicago Way podcast, John Kass, as he interviewed former Chicago Public Schools CEO Paul Vallas, spoke of racial politics, which has plagued Americas’ third-largest city for decades. “Lori Lightfoot has gone from presenting herself as an agent of change,” the former Chicago Tribune columnist remarked, “to an able practitioner and player of the race card.”

A year ago, to mark the two-year anniversary of her inauguration, her office sent invitations to reporters for one-on-one interviews with a restriction–only reporters of “color” were requested.

But Lightfoot has another joker card up her long sleeve, the gender card. Last week, in what you would think should been an opportunity to offer a message of healing and unity–kicking off Pride Month–Lightfoot is a lesbian by the way, she and Governor JB Pritzker dedicated Chicago’s AIDS Garden. It was at that event where she dismissed criticism of her turbulent three years as mayor by her opponents.

“Another day, another man who thinks he can do his job better than me,” Lightfoot said.

As America’s worst mayor, there are plenty of men–and women–residing in Chicago who can do better. 

Crime has skyrocketed since Lightfoot moved into the fifth floor of City Hall. In 2019, according to Hey Jackass, there were 603 carjackings reported in Chicago. Last year there were 1,848. In 2021, AP reported, there were 797 homicides, 299 more than in 2019. 

Apologists for Lightfoot will blame the COVID-19 epidemic, but Chicago’s lockdowns were among the nation’s most severe. Infamously, in August of 2020, on the same day Lightfoot cracked down after a large group violated her ridiculous ban on entering the expansive Lincoln Park on Chicago’s beautiful lakefront by dispatching a heavy police presence there, looters that night mowed through the city’s Loop and Magnificent Mile shopping areas downtown. Those areas were still recovering from the late May riots after the murder of George Floyd. This led to a continuing exodus from that area that includes the Gap, Disney, and Macy’s. It will take decades for Chicago to recover from what another blogger, whose name escapes me, called “the Night Chicago Died,” referencing the 1970s pop hit by Paper Lace. 

The Loop, the Magnificent Mile, and the immediate surrounding area is the driver of Chicago’s economy. The rest of the city is simply along for the ride. 

The retail departure hasn’t escaped Paul Vallas’ attention. “I used to say a number of years ago,” he said in that Kass podcast, “when I ran [for mayor] last time, that Chicago was Detroit with a thriving downtown–now I can’t even say that.”

Back to the lockdowns. Lightfoot all but sanctioned the large outdoor celebrations in Chicago after Joe Biden was declared by the media the winner of the 2020 presidential election, which occurred a few days before she issued new lockdown orders in time for Thanksgiving–on top of the others that were already in place.

I wonder if knowledge that two years later gasoline would double in price would have muted those flash mob gatherings?

To be fair, Chicago and its Cook County suburbs are burdened with a Soros-funded politician, State’s Attorney Kim Foxx, who is more of a woke social worker than a prosecutor. Lightfoot on occasion has spoken out against Foxx, but her criticism has been guarded. Foxx, a Democrat like Lightfoot, is of course best known for the special treatment she gave since-convicted race-hoaxster Jussie Smollett. Foxx deserves some blame for the fall of Chicago too, as does another wokester, Timothy C. Evans, Cook County’s chief judge.

Will Chicagoans reelect America’s worst mayor?

UPDATE June 7:

In a video that was released today, Lightfoot officially announced her reelection effort.

Yesterday, Lightfoot bizarrely attacked Kim Foxx, who she endorsed for reelection in 2020 in what should have been a tough Democratic primary for the radical prosecutor. “Given the exacting standards that the state’s attorney has for charging a case, which is proof beyond a reasonable doubt – when those charges are brought, these people are guilty,” the mayor said, but quickly adding, “and of course they’re entitled to a presumption of innocence.” Some more back story: Foxx is the former chief of staff for Toni “Taxwinkle” Preckwinkle was Lightfoot’s runoff opponent in the 2019 mayoral election–she’s a leftist too.

John Ruberry regularly blogs from suburban Cook County at Marathon Pundit.

Leftists in their silo created the Ministry of Truth, Ultra MAGA, and Chicago’s Summer of Joy

Posted: May 29, 2022 by John Ruberry in crime, culture, News/opinion, opinion/news, politics
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By John Ruberry

On occasion I get accused of living in a right-wing silo, or if you prefer, bubble.

But it’s left-wingers who are more likely to dwell in their own political silo. And it’s hurting their side. 

Good.

And because many people, particularly leftists, are terrible listeners, I have to repeat myself yet again.

Here we go.

Even if I wanted to, I can’t remain in a right-wing silo. Besides–broadcast and cable media, as well as streaming services, are dripping wet with liberal and woke bias. And I can’t always avoid them. Last year, Mrs. Marathon Pundit underwent a minor medical procedure. In the waiting room I had to sit through ABC’s Good Morning America, hosted by Clintonista George Stephanopoulos, and then, on the same network, The View. 

Earlier this year I had some complicated dental work done. My dentist has TVs in front of each chair. What was on? The View. Sen. Chuck Schumer (D-NY) was one of the show’s guests. 

“John,” my dentist calmly said to me as she drilled, “tell me if you experience pain.”

Conservatives–and if you are a regular viewer of MSNBC or CNN this will shock you–are more tolerant of people who hold opposing views.

It’s an old study, but Pew Research found that liberals were more likely to block or unfriend a conservative than the other way around. 

The mainstream media, the Biden White House, and big-city governments are leftist monocultures. Big tech too, but I’ll attack them again, I am sure, in a future blog post.

When you live in an echo chamber, you are bound to inadvertently come up with ideas that outsiders will mock. Or even, like a lit stick of dynamite with a long fuse, have them thrown back at you. 

Last month, a contender–and oh my, is the competition steep–for worst Biden cabinet member, Homeland Security secretary Alejandro Mayorkas, revealed the formation of the Disinformation Governance Board. Conservatives immediately pounced, and almost in unison, called the group “Orwellian” and labeled it “the Ministry of Truth,” which is where reluctant liar Winston Smith toiled in George Orwell’s novel, 1984. When it was revealed that a disinformationist, who had cast doubts on the authenticity of Hunter Biden’s laptop, Nina Jankowicz, was the head of that panel, the Orwell analogy was complete. 

One rule of politics, one that the woke ignores because of what Ben Shapiro calls the left’s “unearned sense of moral superiority,” is that when (not if, because the right errs too) you make a whopper of a mistake, you must immediately correct it. So rather than eliminating the Disinformation Governance Board as soon as Mayorkas acknowledged its existence, “the Ministry of Truth” and Jankowicz dangled for three weeks. During that time the Orwellian memes of Jankowicz flooded social media, and an embarrassing TikTok video of Jankowicz, singing to the tune of “Supercalifragilisticexpialidocious,” emerged, which gained her the nickname Scary Poppins.

Anita Dunn, who in 2009 cited the genocidal Mao Tse-Tung as one of her favorite philosophers, which led to her departure from the Obama White House, worked on the 2020 Biden campaign. She was briefly a senior White House advisor to Biden. Dunn is said to have been behind the president’s recent use of not only MAGA as a pejorative, but the heretofore unheard moniker “Ultra MAGA.” Conservatives on social media immediately and proudly declared themselves as “Ultra MAGA,” mirroring the response in 2016 when Hillary Clinton called Donald Trump supporters “deplorables.” During a speech earlier this month, Biden referred to his predecessor as “the great MAGA king.” On Truth Social, Trump struck back with a Lord of the Rings-themed meme as he gleefully adopted the nickname.

If Dunn didn’t live in a left-wing bubble, she would have seen all of those snarky responses coming.   

On the local level, last month Chicago’s inept leftist mayor, Lori Lightfoot, declared that the summer of 2022 will be “the Summer of Joy.” John Kass has derisively referred to the Summer of Joy in several of his columns and he poked fun at it in his most recent podcast. Hey Jackass, the sarcastic yet accurate tabulator of Chicago murders and shootings, is selling Summer of Joy T-shirts and coffee cups. Now that Memorial Day weekend has arrived, every time there is a mass shooting in Chicago–and we only have to look back a few hours to find the most recent one–bloggers and right-leaning social media users will quip something along the lines of “Wow, here is more ‘Summer of Love’ Chicago carnage for you.”

All Lightfoot would have needed to prevent this mockery is to have a politically moderate advisor–she would never hire a conservative–who would be bold enough to say, “I don’t think ‘Summer of Love’ is a wise idea, and here’s why.”

As Mary Poppins, not Biden’s Scary Poppins, said in that classic movie, “Sometimes a person we love, through no fault of their own, can’t see past the end of his nose.”

Such is the status of liberalism in 2022.

Which is why it will be a glorious election season for the right this year.

John Ruberry regularly blogs at Marathon Pundit.

Van Morrison continues his attack on lockdowns and government overreach on his tremendous new album

Posted: May 22, 2022 by John Ruberry in covid, culture, entertainment, media, News/opinion, opinion/news, politics, vaccine mandates
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By John Ruberry

When one looks back the great artists–and I dislike this term–of the classic rock era of the mid-1960s thru the early 1970s, the usual big names to come to mind, the Beatles, the Who, the Rolling Stones, Creedence Clearwater Revival, and Bob Dylan. 

One name–and he just released his 43rd studio album last week–is generally overlooked. And that artist is Van Morrison, also known as Van the Man and the Belfast Cowboy. Oh sure, he’s recorded some memorable hits, such as “Brown Eyed Girl,” along with “Moondance” and “Have I Told You Lately.” Before Morrison’s first album, Blowin’ Your Mind, was released in 1967, he was the frontman for Them. That band’s anthemic “Gloria” deservedly appears on many best-ever song lists. 

But Morrison isn’t a much of a self-promoter–he doesn’t do many interviews and he’s not the best media conversationalist–even though Van the Man’s lyrics are generally eloquent and articulate. 

Two years ago Morrison began attracting media attention for his impassioned opposition to COVID-19 lockdowns, which, during the height of them, prevented Van, who turns 77 this summer, from performing live.

Morrison just concluded a short USA tour, a British tour begins Monday. 

In 2020, Morrison released three anti-lockdown songs, “Born to Be Free” and “As I Walked Out,” as well as “No More Lockdown.” That same year Eric Clapton recorded a Morrison-penned anti-lockdown song, “Stand and Deliver.” Clapton, who celebrated his 77th birthday in March, was diagnosed with COVID-19 last week. Hey, no reasonable person believes COVID is un-catchable. 

Those anti-lockdown songs led Northern Ireland’s health minister, Robin Swann, to write a Rolling Stone op-ed attacking Morrison, where Swann declared, “Some of what is he saying is actually dangerous.”

Last year in Belfast, after four of his concerts were cancelled, Morrison led a “Robin Swann is very dangerous” chant at a banquet. Because of the chant, Swann sued Morrison.

Which brings us to “Dangerous,” the opening track of Morrison’s brand-new album, What’s It Gonna Take?

Somebody said I was dangerous
I said something bad, but it must’ve been good
Somebody said I was dangerous
I must be getting close to the truth, alright, alright

But Morrison isn’t done with lockdowns, as the first ten songs of this 15-song effort attack COVID-19 restrictions on varying levels.

On the title track, Morrison opines,

Politicians don’t represent the people
Government doesn’t represent us at all
Government takes and ruins all our business
Big tax about to take it all.

In life, I’ve learned that sometimes life is just blah blah blah. Really, because that’s another great tune here, entitled of course, “Sometimes It’s Just Blah Blah Blah.”

How do you like the new normal?
Tell me, how is that going for you?
How did you overcome the restrictions?
How do you handle the news?
Do you still think the government’s not lying to you?
Oh, has the penny dropped yet?
Seems there’s no way out of this impasse
Is it something we’ll live to regret?

What’s It Gonna Take? is absolutely an essential musical release but I suspect it will be savaged by the critics, most of whom are liberals. Morrison’s prior collection, a double album, Latest Record Project, Volume 1, also blew the whistle on lockdown restrictions, as well as social media–quite obviously so on the song “Why Are You On Facebook?” It’s a good album, albeit a bit long, but still far better than the swill that passes as 21st century music. And the critics for the most part hated that Latest Record Project, Volume 1.

As recently as 2017 Morrison described himself as apolitical. Clearly, at least in regards to COVID lockdowns and government overreach, he is now a strident libertarian. 

Rock music, with few exceptions, hasn’t been the soundtrack of rebellion for decades. It’s ironic that the most rebellious rocker today–or perhaps he’s a bluesman?–is a man in his late 70s, the Belfast Cowboy, Van Morrison.

Here’s one final brilliant lyrical excerpt from Van’s latest album, this time from “Damage and Recovery.”

Snowflakes hiding in their houses
Most of us need to get right back to work
Money doesn’t grow on trees
Jobs don’t thrive on barren ground
Narrow-minded politics
So-called social scientist tricks
Telling lies, they’re meant to be
Watching morons on TV.

There are a couple of references to “Gates,” as in Bill Gates, a COVID-alarmist. A couple of weeks ago, the Microsoft founder and self-appointed virus expert said about COVID-19, “We didn’t understand that it’s a fairly low fatality rate and that it’s a disease mainly in the elderly, kind of like flu is, although a bit different than that.”

Wow. Two years ago, if someone posted that sentence on Facebook or Twitter, they’d probably have their accounts suspended.

Morrison was right in 2020 about lockdowns and Gates was wrong.

There’s a little bit of Van Morrison in all of us. There’s a lot of Van Morrison in all thinking people.

What’s It Gonna Take? is available for download on iTunes and for purchase in the CD format on Amazon, where, as of this writing, the reviews are fairly good. And you can buy it or stream it from the Van Morrison official website.

UPDATE May 31, 2022:

Yesterday multiple United Kingdom news outlets reported that Morrison has turned the tables on Robin Swann. He’s suing the Northern Ireland health minister.

John Ruberry regularly blogs at Marathon Pundit, he’s married to Mrs. Marathon Pundit. Morrison’s “Have I Told You Lately” plays on their wedding video.

Mike Myers’ Netflix debacle, The Pentaverate, attacks good taste and conservatives

Posted: May 15, 2022 by John Ruberry in comedy, culture, doctor who, entertainment
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By John Ruberry

After a long day at work earlier this month I clicked on the “Surprise Me” feature on Netflix. What popped up was Mike Myers’ new vehicle, The Pentaverate.

“Well,” I said to myself, “this might be pretty good.” 

In fact, The Pentaverate doesn’t even measure up to “pretty bad.” The six episode limited series is one of the worst shows I’ve suffered through. Oh, somehow I managed to view a couple episodes of The Secret Diary of Desmond Pfeiffer. I know about awful.

Warning: There are numerous spoilers and some rather disgusting things that I will mention in my review of this Netflix series.

The origin of The Pentaverate dates back to a throwaway line from Myers’ second film, So I Married an Axe Murderer, where the father of Myers’ lead character, also played by Myers, claims that a secret society, the Pentaverate, a five-man cabal, which at one time included Colonel Sanders as a member, rules the world. In this series narrator Jeremy Irons tells us, the original members of the Pentaverate discovered in 1347, contrary to the belief of the Catholic Church, it was fleas that spread the bubonic plague. 

As the first episode begins, the newest member of the group of five, Dr. Hobart Clark (Keegan-Michael Key), a scientist, is accepted into the Pentaverate after he is kidnapped. Apparently, he is the first non-white fellow of the all-male group, replacing a member who mysteriously died. The other members are played by Myers. Lord Lordington, an elderly Englishman, Bruce Baldwin, an Australian media mogul, who of course is based on Rupert Murdoch, Shep Gordon, a manager of various rock acts, a real person who is the subject of a documentary directed by Myers, and Mishu Ivanov, a Russian oligarch and Vladimir Putin crony.

Warning! Not-safe-for-work language in the trailer.

But Myers isn’t done with his roles. The lead character of The Pentaverate is Ken Scarborough, a television reporter who wears plaid sportscoats; he is a quirky throwback from the 1970s who does man-on-the-street interviews of other oddballs, while overshadowing them. Scarborough works for, wait for it, Toronto-based CACA news. Yep, caca. 

The other four Pentaverate members manufacture a story that Dr. Clark, who was invited into the secret society because they believe he can reverse climate change, is dead. Clark’s phony passing occurs while attempting to mimic an internet video fad–kissing your own anus. Clark’s room at Pentaverate headquarters is guarded by a sasquatch, who immediately defecates outside the scientist’s door. 

In addition to a Shrek cameo, Myers plays two other characters, internet personality Rex Smith, a stand-in for Alex Jones, and Anthony Lansdowne, a conspiracy theorist from New Hampshire. 

Besides being an assault on good taste, The Pentaverate is an attack on right-wingers, with the implied message that all conservatives are conspiracy whackos like Lansdowne. He is a believer, or has been a believer, in QAnon, Pizzagate, and the Illuminati. His last words as he falls to his death is, “But what about her emails?” 

Lansdowne, in his bumper-sticker laden van, which not surprisingly has a malfunctioning portable toilet, drives Scarborough and his pre-woke Doctor Who-like young female companion, Reilly Clayton (Lydia West) to New York City, which looks nothing like today’s NYC, but more like your standard Doctor Who “future metropolis.” Scarborough, recently fired by CACA, is convinced by Clayton and Lansdowne to infiltrate Pentaverate headquarters, and he does so after a painful penis tug initiation. 

Clark, following an intimate evening with the Pentaverate’s executive assistant Patty Davis (Debi Mazar) in the Moon Room studio–did the Pentaverate fake the moon landings?–suddenly dies, this time for real. He is promptly replaced by casino billionaire Skip Cho (Ken Jeong). Oh, I have never thought Jeong was funny. Jeong recently showed his true political colors after childishly storming off the set of The Masked Singer after Rudy Giuliani was revealed as a contestant.

Myers seemingly hasn’t emotionally moved on from being an 11-year-old. Flatulence jokes are among the things that ruined his cinema take on Dr. Seuss’ Cat in the Hat, a children’s film, by the way. Scatological so-called humor also undermined another Myers movie bomb, The Love Guru. 

Outside of Myers’ fading fame, why did Netflix greenlight this debacle? Could it be that woke Netflix executives fell in love with The Pentaverate’s snide attacks on conservatives, who they probably believe are personified by Smith and Lansdowne? I have liberal friends. Really, I do. And many of them insist that I take marching orders from Alex Jones.

Here’s a tip for Netflix and Myers: the first rule of comedy is that comedies need to be funny.

Netflix lost 200,000 subscribers in the first quarter of 2022. Its stock value plummeted 35-percent last month. Yes, when you go woke you go broke. And I can’t think of a single Netflix dramatic series that is aimed at conservatives. Longmire was the closest show I can think of, but production of it ended in 2017, and Longmire was originally an A&E offering. And as I wrote in last week’s review of Ozark, that otherwise quite enjoyable show contorted itself to find ways to attack Republicans.

Over 70 million Americans voted for Donald Trump in 2020. That’s a lot of viewers, Netflix. We don’t live in vans with clogged toilets. We own televisions. 

Cloying use of easter eggs, that is, references to other works that do nothing to advance the story or add laughs–assuming of course there is even one laugh in The Pentaverate–is also another problem here. Winks to other Myers’ works, along with yet another tired replay of HAL from 2001: A Space Odyssey, as well as Game of Thrones, are simply annoying. Rob Lowe, a veteran of several Myers movies, makes an unnecessary appearance.

Myers’ acting, outside of his sympathetic portrayal of Scarborough, is subpar. In his review of The Cat in the Hat, Roger Ebert noticed that at times Myers sounded a bit like his Linda Richman “Coffee Talk” character from SNL. The use of convincing accents is supposed to be one of Myers’ strengths, but his Lansdowne character’s accent, rather than sounding like what you’ll hear from a rustic New Englander, varies from a Canadian to a New Yorker style of speech–that is, when Lansdowne isn’t coming across like Wayne Campbell from Wayne’s World.

Oh, when there is a crack within the five members of the Pentaverate, who do you think is behind it? Why of course! It’s the casino billionaire and the Murdoch stand-in. 

I hated The Pentaverate. Hated, hated, hated. If you have any sense of taste or decency, you will hate it too. 

You have been warned. 

Oh, if you think I am just a grumpy old man with a minority opinion on this actual sh*t show, as of May 15, the average critic score on Rotten Tomatoes is just 20 percent. Only once in the last week have I noticed The Pentaverate ranking as a top-ten most viewed program on Netflix. And based on the CGI and the A-List (to some people) cast, I imagine Netflix wasted a lot of money on this fiasco.

The Pentaverate is rated TV-MA for full frontal (possibly with use of prosthetics) nudity, animals engaged in sex, violence, suicide, adult situations, foul language, and scatological references. Well, at least no one smokes in it. 

John Ruberry regularly blogs at Marathon Pundit.

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