Archive for November, 2020

I’ve never liked Twitter even though I’ve used it. I was a late adopter, and with good reason. It’s the crystal meth of social media — addictive and destructive, yet simultaneously unsatisfying. When I’m off it I’m happier than when I’m on it. That it’s also being run by crappy SJW types who break their promises, to users, shareholders, and the government, of free speech is just the final reason. Why should I provide free content to people I don’t like, who hate me? I’m currently working on a book on social media, and I keep coming back to the point that Twitter is far and away the most socially destructive of the various platforms. So I decided to suspend them, as they are suspending others. At least I’m giving my reasons, which is more than they’ve done usually.

Glenn Reynolds

Apparently Twitter has decided that even though their written accusations against me are patently false it’s much too embarrassing to grant my appeals quickly only to have their apologies and claims of “mistakes” be illustrated as false.

In fact given the text of my last appeal...

For what is now the 6th time in under 20 days you have locked me out claiming that I was spreading intimate images when I was in fact each time tweeting out a link to a post on Benford’s statistical law which demonstrates the impossibility of Joe Biden’s magic ballots.

Moreover Every time I have appealed you have upheld said appeal apologized and claimed my lockout was an error. YET EVERY SINGLE TIME AFTER THESE “apologies” I HAVE RETWEETED THE VERY SAME LINK TO THE VERY SAME PIECE AND WAS LOCKED OUT WITH THE VERY SAME FALSE ACCUSATION AGAINST ME.

To say this is despicable and dishonorable is to not only repeat myself from previous appeals but to say something that is so apparent that it almost doesn’t need saying. That you still do this demonstrate why other alternatives like Parler are doing so well.

Bottom line you’re accusation is false and I’m not only not going to delete the tweet but after this appeal is won I will test to see if your upcoming “apology” and assertion of a “mistake” is worth any more than it was the last five times you sent them.

At least my next lockout for that same link will be lucky number 7

emphasis mine

they have clearly concluded that there is no percentage in handling my appeal in a timely manor.

So I am now on day three of my lockout awaiting the results of my appeal and counting. For Twitter it’s the best of possible worlds in the sense that they keep me silent while pretending that they are carefully considering the nuances of my appeal but they keep the Benford’s law post from spreading, at least on their platform, while always dangling the carrot that if I just delete the tweet in question I’ll be welcomed back.

Now if I was 14 or 21 or maybe even in my 30’s that might has some oomph, alas dear twitter I’m nearer to my 70th birthday than I am to my 45th and thus lived many decades without twitter, and while it is a convenience I can continue to function without it.

While the in the short term such a plan will achieve goals in the long term discouraging your product (that’s folks like me) from being on your platform while encouraging them to go to other places such as Gab (Parler wants a cell phone number that I don’t have) might not be appealing to one’s customer base (advertisers) which is likely to have as bad an effect on shareholders as encouraging your voter base to not reproduce with the same predictable results.

The problem exemplified by the case of Lena Dunham is that the “r strategy” (parents having fewer children, with the idea of more “quality” in their offspring) pursued past a certain point, involves an increased risk of eventual reproductive failure. This is what I mean by taking into account secondary and tertiary consequences, thinking forward to the third generation down the line. Suppose this hypothetical:

John and Jane have two children.

If both of their children have two children of their own, John and Jane will have four grandchildren.

If all four grandchildren each have two children, then John and Jane will have eight great-grandchildren.

Now a slightly different hypothetical:

John and Jane have three children.

If each of their children have three children of their own, John and Jane will have nine grandchildren.

If all nine grandchildren each have three children, then John and Jane will have 27 great-grandchildren.

In other words, increasing average family size from 2 to 3 — which is not much, really, in terms of r/K theory — produces a third generation of descendants more than three times larger. This fact is obvious from simple arithmetic, yet its social consequences are profound.

Now if your business model is to attract users so that you can sell exposure to them to advertisers the exile of those who actually reproduce might be a bad idea if you wish to have your company last like a Ford or a McDonalds for generations after you are founded.

But if you are merely using a publicly traded company as a means to an end either social acceptance or to advance a narrative a /la Tina Brown then it all makes perfect sense…to all but the shareholders who were looking for profit rather than status that is.

Those guys are into Parler and Gab

Closing thought, one must also consider that depending on who the shareholders are they might not CARE about profit as long as conservatives are silenced consider:

That’s the real point here. Economics isn’t what’s driving this ideology and status is. Jack and the big investors who back him don’t care about the money, they’re never going to be hurting or needing. It’s all about the stuff money can’t buy and by leaning on conservatives you remain acceptable to the “right” people.

Seriously did you think Tina Brown got all those people to lose all that money over the years because they thought she was brilliant or was putting out to get it? Nobody’s that brilliant and there are plenty of woman who would put out for less. It was all about getting the bona fides and entree to the right parties, and the right people and believe me those “right” people who hate our guts will use that for the fullest effect.

Jack and twitter aren’t going to change because of economic pressure or anything else. He’s virtue signaling and that signal is being seen by the people that he wants to see it.

If the primary goal isn’t profit it’s all good to them.

By:  Pat Austin   

SHREVEPORT – Most of the time I feel like we are living in a dystopian universe.  If you watch The Social Dilemma on Netflix you might agree.  Absolutely terrifying.

Come sit in a high school classroom for any length of time and you’ll see the problem that is social media. In my school, the English teachers got together and decided to all take up phones before class each day. You put your phone in in the box before you enter class and they are returned at the end of class. Otherwise, I promise you, kids are staring at their phones and not doing their classwork. There are varying degrees of this truth depending on what school and how motivated the student population is in general.

The Social Dilemma docudrama makes the point that we have an entire generation of kids more anxious, more depressed than ever before due to social media. They are so bound up in that instant gratification from “Likes” and “Shares” that for so many their entire self-worth is connected to this. I see this daily.

This is a subject that has interested me for a long time; when Matt Richtel’s book, A Deadly Wandering, came out in 2014, I eagerly developed lessons around it, shared it with my students, and tried to reinforce its thesis, to no avail. Students thought it was crazy. It’s the “they aren’t taking to ME” syndrome: “I don’t have this problem.”

Social media is so insidious, so pervasive, so much a part of our lives, and we all know it. But we don’t stop. We are so absolutely dependent on it. It controls us.

Nearly everyone has had this experience, or something similar: you are driving by a store…say, Lowe’s, or Home Depot. You say out loud, “Oh, I need to go one day and get a new ladder!” What kind of ads show up on your social media feed next time you go online?

True story: I was outside one day with three friends. One person had a device around her neck with little fans at each end that blew air toward her face and she used this while gardening in our southern heat and humidity. Friend number two said something like, “Oh, that’s cool! Does it work well?” Friend no 1 assured her it worked great. End of conversation. I never uttered a word. What kind of ads were on my social media when I opened Facebook later that afternoon?  Why, ads for little fans you wear around your neck, of course.

Paranoid? Nope. This happens all the time.

Last week I saw one of those ads on Facebook for some shirt with a dragonfly design. I did not click on it. I did linger for a moment, looking at the photo. Now, dragonfly shirts are all over my feed.

This sort of thing is a tiny example of how social media controls and influences us. It is enough for me to want to pull a Travis McGee, unplug from everything, and go off the grid.

Now watch, Travis McGee books will be all over my feed.

Watch The Social Dilemma. It’s an eye opener.

Pat Austin blogs at And So it Goes in Shreveport and is the author of Cane River Bohemia: Cammie Henry and her Circle at Melrose Plantation. Follow her on Instagram @patbecker25 and Twitter @paustin110.

Jesus answered and said to her, “If you knew the gift of God and who is saying to you, ‘Give me a drink,’ you would have asked him and he would have given you living water.

John 4:10

There are many blessings that come from attending Mass and the pleasures are amplified when there are so many signs of a parish that is strong and healthy in plain view. In between other subjects I’ll be touching on some of these things this week.

The first sign is something that might not be obvious even to a catholic but leaped out at me yesterday.

Due to COVID restrictions have the pews in the church are unused (closed off with police tape) so when DaWife and I arrived we ended up sitting in the very front pew of the church (something she absolutely hates). A pew that is a tad unusual and different than most, it’s used as a handicapped friendly area. A pew which had been in front of it was removed to fit self propelled and standard wheelchairs so the kneeler is a full yard in front of where you sit.

This had significance today because due to a commitment yesterday I was not in town for confession so when it was time for communion I went up with crossed arms and instead received from the priest, host held in his hand, the following blessing:

May the blessing of almighty God the Father, Son and Holy Spirit descend upon you and remain with you all day long.

One can choose to remain in a pew of course but doing this not only gives the benefit of a blessing but also demonstrates respect for the Holy Eucharist for as St. Paul tells us:

For I received from the Lord what I also handed on to you, that the Lord Jesus, on the night he was handed over, took bread, and, after he had given thanks, broke it and said, “This is my body that is for you. Do this in remembrance of me.” In the same way also the cup, after supper, saying, “This cup is the new covenant in my blood. Do this, as often as you drink it, in remembrance of me.” For as often as you eat this bread and drink the cup, you proclaim the death of the Lord until he comes. Therefore whoever eats the bread or drinks the cup of the Lord unworthily will have to answer for the body and blood of the Lord. A person should examine himself, and so eat the bread and drink the cup. For anyone who eats and drinks without discerning the body, eats and drinks judgment on himself.

1 Cor 11:23-29

Because I did not receive myself instead of kneeling I sat and watched those who went up to receive. In the front row I had a very good view of everyone particularly because of the COVID restrictions that allow only a single file.

Quite a few people bowed or keeled before receiving (not to give homage to the priest but to Christ who they acknowledged as present in the Eucharist) but there were quite a few, in fact rather a lot who like me came forward with crossed arms getting the same blessing as me.

Many of course where children who had not received their 1st communion but almost as many were adults young and old, who for whatever reason either missing confession or breaking the one hour fast before receiving or whatever other reason understood they were not properly disposed for the Eucharist.

I was impressed, that act, particularly by the young because it would be SO easy to remain in the pew, instead each made a public act acknowledging

  1. The reality and significance of the Eucharist
  2. The necessity of being in a proper state to receive Christ in the Eucharist
  3. Their current state of being unworthy, for whatever reason to receive it

These things reflect

  1. The acknowledgement of Christ in the Eucharist
  2. The holiness of God and the respect he deserves
  3. The conscious of sin and the need to repent of it
  4. The value of the blessing of the Lord

A parish full of people who see these things is a parish well catechized and a well catechized parish is a healthy one.

(Oh and the Priest found time to give me confession after mass but more on that later this week.)

By John Ruberry

By John Ruberry

Lost among the fallout after the presidential election was the debut of a compelling four-episode on Netflix, The Liberator. It tells of exploits of the leadership of Felix Sparks (Bradley James), who eventually reached the rank of lieutenant colonel, of the 3rd Battalion of the 157th Infantry Regiment in the European theater of World War II. Yes, for the most part, this is a true story.

The series which began streaming on Veterans Day, is animated and it uses the new technique of Trioscope, which combines live action and computer and manually created images. The series is based on Alex Kershaw’s book The Liberator: One World War II Soldier’s 500-Day Odyssey from the Beaches of Sicily to the Gates of Dachau. It’s a huge improvement over rotoscoping, most famously, or notoriously used in the first feature film version of J.R.R. Tolkien’s The Lord Of The Rings, which was directed by Ralph Bakshi. The animation is grainy with a touch of sepia, the latter hue of course is common in films set in first half of the 20th century.

For the most part, The Liberator avoids hackneyed plotlines and characters of many World War II projects, other then sepia. There is no “Guy From Brooklyn” in it. But here is a soldier from Chicago, who of course is a Cubs fan. Fact: real and fictional characters from in television and movies are never White Sox fans, unless, as in Field Of Dreams, the South Siders are central to the plot. Oh well, to be fair it was the Cubs, not the White Sox, who played in the World Series in 1945.

When Lieutenant Sparks arrives at Fort Sill in Oklahoma shortly before America’s entry into World War II, he’s given command of “Company J,” which consists of soldiers locked up in the stockade. These ragtag men are a mix of Mexican Americans, Native Americans, and cowboys. 

It’s a tough command, “The Indians and the Mexicans don’t like each other very much,” a jail guard tells Sparks. “And they hate us more.”

But Sparks is looking for fighters, not divisiveness. He and molds them–even though the Native Americans and Mexicans can’t enter a bar off base in Oklahoma. In Italy a captured member of the Thunderbirds is confronted with this irony by a German officer. 

During its two years in Europe, in addition to the invasion of Sicily and the liberation of Dachau, but also the invasion of southern France, as well as the Battle of the Vosges near the German border, and finally fighting in Bavaria, the 157th Infantry Regiment encountered over 500 days of combat. Sure there are arguments and spats among the soldiers. People never always get along. But the soldiers form an effective fighting unit. 

The German troops are treated relatively sympathetically in The Liberator, but only up to a point as the Thunderbirds later of course liberate Dachau.

The supporting cast is superb, particulary the performance of Martin Sensmeier as Sergeant Samuel Coldfoot and Jose Miguel Vasquez as Corporal Able Gomez, two composite characters.

Originally The Liberator was intended as a live action miniseries for A&E Studios for the History Channel but filming such a project in so many disparate locales, the plains of Oklahoma, Italy, the Mediterranean coast, the Vosges, and Bavaria, proved financially impossible. Not so much with animation. Which is why The Liberator is probably on the cusp of what we’ll see soon on the big and small screens. And the use of animation in war dramas will spare us motion picture embarrasments such as the desert combat scenes in the 1965 box office flop The Battle Of The Bulge.

The Liberator is currently streaming on Netflix. It is rated TV-MA, although despite depictions of battlefield wounds and the frequent use of profanity–in English and Spanish no less–I’m unsure why. Oh, some people smoke cigarettes in it too. I’m mean c’mon. This is the 1940s!

Tune in and start watching. You’ll be glad for it. 

John Ruberry regularly blogs at Marathon Pundit.