By John Ruberry

Within the last month two new seasons of Viking-themed series began streaming on Netflix, Vikings: Valhalla and Season Five of The Last Kingdom. The former is a sequel to another Netflix series, Vikings, which I have not seen, but as the action of Valhalla occurs about 100 years after the first batch of shows, viewers need not have tuned in to Vikings to follow the new action.

The Last Kingdom and Vikings: Valhalla have much in common, besides Scandinavians battling the English. A main plot driver in both shows is the conflict between Christians and followers of the Norse gods. Presumably Valhalla begins the same year, 1016, when Canute the Great seized the crown of England. Ironically, only two English kings, Alfred, who is played by David Dawson in the first three seasons of The Last Kingdom, and Canute, gained the epithet “the Great.” Oh, when Canute was crowned, this Viking, who later became king of Norway and Denmark, was a Christian.

Both shows attempt to be even-handed between the two cultures, but they leave out one very nasty part of Viking life, slavery. Yes, there was slavery among Christian Europeans, but slaves–thralls are what the Norse called them–were an essential part of the spoils of Viking raids. However, both series portray human sacrifice by the Scandinavians.

Vikings: Valhalla, which consists of eight episodes, is the inferior of the two shows, so let’s get that one out of our way. Its central character is Leif Erikson (Sam Corlett). Yeah, he’s the same man who journeyed to North America around 1000. While there is no historical record that says Erikson participated in wars with the English, there’s no proof that he didn’t. It’s believed around the time of his journey to North America he converted to Christianity, but he’s a follower of the Norse gods here, although he dabbles with the Christian religion. His sister, Freydís Eiríksdóttir (Frida Gustavsson), is a devout follower of the Norse faith. Freydís is romantically involved with Harald Sigurdsson (Leo Suter), who history tells us was a newborn at the time of they were “getting it on” in the show.

The main action of Vikings: Valhalla originates in the Norwegian town of Kattegat, which is ruled by Jarl Haakon (Caroline Henderson), who history tells us was a white man, but here Haakon is a black woman.

I could go on for quite much longer on the many historical anomalies, but I will conclude here that had Vikings: Valhalla had an intriguing story line, if the performances were compelling–Henderson’s overacting is particularly annoying–and hey, if the CG was believable, then I’d say, “tune in.”

But don’t.

The Last Kingdom’s fifth last season takes place around 920. Its lead character, the fictional Uhtred, whose birthright as lord of Bebbanburg in Northumbia, England was usurped by the Danes in the first episode of Season One. He was raised by Danes, during that time he abandoned Christianity for the Norse gods, although he’s not very devout. When Uhtred reaches adulthood, he’s a skilled fighter and a ladies’ man, a James Bond of the Middle Ages.

The Last Kingdom is based on Bernard Cornwell’s Saxon Stories series of books.

Alfred the Great’s goal was not only to defeat the Danes–the word “Viking” is never uttered during The Last Kingdom–but also to create from his small kingdom of Wessex a unified England. It’s up to his son, King Edward, to complete the task, with Uhtred’s assistance of course.

All the while Uhtred is forced to confront a onetime romantic interest, fellow-Saxon and abductee, Brida (Emily Cox), whose faith in the Norse religion is strong.

Edward meanwhile has to confront betrayal within his court as a unified England seems within grasp.

While a bit wooden at times, the acting in The Last Kingdom is generally quite good. The battle scenes are intense, and the plotlines are strong enough to keep watching. But to figure out what is happening here, you absolutely have to watch the first four seasons beforehand. One flaw of The Last Kingdom, as with Ozark, which also took a year off from filming, presumably because of the COVID outbreak, is that it is need of very strong recaps at the beginning of each episode, of which there a ten this season. Hey, people forget things two years later. Another challenge in keeping the storyline straight is that many of the characters’ names, all based on historical figures, are similar; they incorporate the Old English prefix “Æthel,” which translates into modern English as “noble,” or Ælf. Had they asked me, I would have for starters changed the name of a duplicitous rat, Æthelhelm (Adrian Schiller), a character whose historical standing is foggy. In The Last Kingdom he’s the father of Edward’s second wife, Ælflæd (Amelia Clarkson). One son of Edward is Æthelstan (Harry Kilby) another is his half-brother Ælfweard (Ewan Horrocks), he’s the son of Ælflæd.

A spin-off of The Last Kingdom is in the works, a movie titled Seven Kings Must Die.

There are two more seasons of Vikings coming. I probably won’t be watching.

Both programs are rated TV-MA for violence, nudity, and sex.

John Ruberry regularly blogs at Marathon Pundit.

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